{"id":936,"date":"2017-05-29T00:00:00","date_gmt":"2017-05-29T08:00:00","guid":{"rendered":"http:\/\/gospel.hearandplay.com\/main\/?p=936"},"modified":"2017-05-29T00:00:00","modified_gmt":"2017-05-29T08:00:00","slug":"how-to-play-the-1-4-5-chord-progression-in-all-twelve-major-keys","status":"publish","type":"post","link":"https:\/\/gospelhap.wpenginepowered.com\/how-to-play-the-1-4-5-chord-progression-in-all-twelve-major-keys\/","title":{"rendered":"How To Play The 1-4-5 Chord Progression In All Twelve Major Keys"},"content":{"rendered":"

In today’s lesson, we’ll be focusing on the 1-4-5 chord progression in all twelve major keys on the keyboard.<\/p>\n

The 1-4-5 chord progression is one of the most important chord progressions that every beginner must be properly acquainted with, before delving into sophisticated chord progressions.<\/p>\n

If you’re a beginner and are interested in learning how to play a variety of gospel songs but you’re overwhelmed with lots of options; search no further.<\/p>\n

Aging of the gums and teeth: why?, and what to do – fitness secrets how much does trenbolone cost<\/a> fitness for tourist villages – ads ravenna<\/div>\n

This lesson will get you started with the basic chord progression every gospel keyboardist must be acquainted with in all twelve keys.<\/p>\n

A Review On The 1-4-5 Chord Progression<\/h2>\n

There are eight degrees in any major or minor key. In the key of C major:
\n<\/p>\n

C is the tonic<\/em><\/p>\n

D is the supertonic<\/em><\/p>\n

E is the mediant<\/em><\/p>\n

F is the subdominant<\/em><\/p>\n

G is the dominant<\/em><\/p>\n

A is the submediant<\/em><\/p>\n

B is the subtonic<\/em><\/p>\n

C is the octave<\/em><\/p><\/blockquote>\n

Every key (be it a major or minor key), has three main components – the tonic, the dominant and the subdominant. In the key of C major:
\n
\nC:
\n
\n…is the tonic, G:
\n
\n…is the dominant, and F:
\n
\n…is the subdominant.<\/p>\n

Here are the three main components in the key of C major (which are F, C, and G):
\n
\nC:
\n
\n…is at the center, F:
\n
\n…is a fifth below, and G:
\n
\n…is a fifth above.<\/p>\n

These three main components are important because the concept of key revolves around them.<\/p>\n

Consequently, any musical idea (be it a scale, chord, progression, etc.) that is related to any of the three components:<\/p>\n

The tonic<\/em><\/p>\n

The dominant<\/em><\/p>\n

The subdominant<\/em><\/p><\/blockquote>\n

…should be considered important.<\/p>\n

A Short Note On The Primary Chords In The Key<\/h3>\n

The chord of any scale degree derives its name from the technical name of that scale-degree. For example, the C major triad:
\n
\n…established on C (which is the tonic):
\n
\n…is known as the tonic triad.<\/p>\n

The A minor triad:
\n
\n…established on A (which is the submediant):
\n
\n…is known as the submediant triad.<\/p>\n

Although all scale degree chords are important, the chord of the first degree (aka – “the tonic triad”), chord of the first degree (aka – “the tonic triad”), and chord of the first degree (aka – “the tonic triad”) are classified as primary chords.<\/p>\n

Primary chords are the chords of the first, fourth and fifth degrees in a key. For example, the primary chords in the key of C major are the C major triad:
\n
\n…the F major triad:
\n
\n…and the G major triad:
\n
\nPrimary chords can be used to accompany any melody\/song. For example, the melody of the song twinkle, twinkle little star <\/em>can be accompanied in the key of C major:
\n
\n…using the primary chords in the key.<\/p>\n

“Check It Out…”<\/em><\/p>\n

Twin-kle, twin-kle:
\n
\n…little:
\n
\n…star:
\n
\nHow I:
\n
\n…won-der:
\n
\n…what you:
\n
\n…are:
\n<\/p>\n

The 1-4-5 Chord Progression – Explained<\/em><\/h3>\n

The 1-4-5 chord progression consists of the movement of chords from the first degree, to the fourth degree, then to the first degree.<\/p>\n

The numbers 1, 4, and 5 are basically there to give an outline of the movement of the root note of the chords.<\/p>\n

In the key of C major:
\n
\n…the 1-4-5 progression consists of a movement from C:
\n
\n…which is the first tone of the scale, to F:
\n
\n…which is the fourth tone of the scale, the to G:
\n
\n…which is the fifth tone of the scale.<\/p>\n

“So, What’s The Goal Of Learning The 1-4-5 Chord Progression…”<\/em><\/h3>\n

The primary chords in the key can be used for harmonization and accompaniment purposes.<\/p>\n

The goal of learning the 1-4-5 chord progression is to get you acquainted with primary chords in all twelve major keys.<\/p>\n

How To Play The 1-4-5 Chord Progression<\/h2>\n

In the key of C major:
\n
\n…the 1-4-5 chord progression can be played by using the the first, fourth, and fifth tones as a reference.<\/p>\n

C:
\n
\n…is the first tone.<\/p>\n

F:
\n
\n…is the fourth tone.<\/p>\n

G:
\n
\n…is the fifth tone.<\/p>\n

“On The Left Hand…”<\/em><\/p>\n

The C sus4 chord:
\n
\n…which consist of the first (C):
\n
\n…fourth (F):
\n
\n…and fifth (G):
\n
\n…tones of the C major scale:
\n
\n…serves as a guide that should help you remember the root progression.<\/p>\n

“On The Right Hand…”<\/em><\/p>\n

On the right hand, we’re playing three major chords that take their roots from the left hand notes (C, F, and G). We have the C major triad:
\n
\n…F major triad:
\n
\n…and the G major triad:
\n
\nTo make it smoother, we’ll replace the C major triad (played in root position):
\n
\n…with its second inversion:
\n
\nSo, we’ll have the C major triad:
\n
\n…F major triad:
\n
\n…and the G major triad:
\n
\n“Both Hands…”<\/em><\/p>\n

Putting both hands together, we have the C major triad:
\n
\n…the F major triad:
\n
\n…and the G major triad:
\n<\/p>\n

The 1-4-5 Chord Progression In All Twelve Keys<\/h2>\n

In this segment, we’ll be learning how to play the 1-4-5 chord progression in all keys. We’ll be using the music clock:
\n\"\"
\n…as a reference, and we’ll be going counterclockwise to F, Bb, Eb, etc.<\/p>\n

1-4-5 Chord Progression In The Key Of F Major<\/h3>\n

In the key of F major:
\n
\n…the 1-4-5 chord progression can be played by using the the first, fourth, and fifth tones as a reference.<\/p>\n

F:
\n
\n…is the first tone.<\/p>\n

Bb:
\n
\n…is the fourth tone.<\/p>\n

C:
\n
\n…is the fifth tone.<\/p>\n

“On The Left Hand…”<\/em><\/p>\n

The F sus4 chord:
\n
\n…which consist of the first (F):
\n
\n…fourth (Bb):
\n
\n…and fifth (C):
\n
\n…tones of the F major scale:
\n
\n…serves as a guide that should help you remember the root progression.<\/p>\n

“On The Right Hand…”<\/em><\/p>\n

On the right hand, we’re playing three major chords that take their roots from the left hand notes (F, Bb, and C). We have the F major triad:
\n
\n…Bb major triad:
\n
\n…and the C major triad:
\n
\nTo make it smoother, we’ll replace the F major triad (played in root position):
\n
\n…with its second inversion:
\n
\nSo, we’ll have the F major triad:
\n
\n…Bb major triad:
\n
\n…and the C major triad:
\n
\n“Both Hands…”<\/em><\/p>\n

Putting both hands together, we have the F major triad:
\n
\n…the Bb major triad:
\n
\n…and the C major triad:
\n<\/p>\n

1-4-5 Chord Progression In The Key Of Bb Major<\/h3>\n

In the key of Bb major:
\n
\n…the 1-4-5 chord progression can be played by using the the first, fourth, and fifth tones as a reference.<\/p>\n

Bb:
\n
\n…is the first tone.<\/p>\n

Eb:
\n
\n…is the fourth tone.<\/p>\n

F:
\n
\n…is the fifth tone.<\/p>\n

“On The Left Hand…”<\/em><\/p>\n

The Bb sus4 chord:
\n
\n…which consist of the first (Bb):
\n
\n…fourth (Eb):
\n
\n…and fifth (F):
\n
\n…tones of the Bb major scale:
\n
\n…serves as a guide that should help you remember the root progression.<\/p>\n

“On The Right Hand…”<\/em><\/p>\n

On the right hand, we’re playing three major chords that take their roots from the left hand notes (Bb, Eb, and F). We have the Bb major triad:
\n
\n…Eb major triad:
\n
\n…and the F major triad:
\n
\nTo make it smoother, we’ll replace the Bb major triad (played in root position):
\n
\n…with its second inversion:
\n
\nSo, we’ll have the Bb major triad:
\n
\n…Eb major triad:
\n
\n…and the F major triad:
\n
\n“Both Hands…”<\/em><\/p>\n

Putting both hands together, we have the Bb major triad:
\n
\n…the Eb major triad:
\n
\n…and the F major triad:
\n<\/p>\n

1-4-5 Chord Progression In The Key Of Eb Major<\/h3>\n

In the key of Eb major:
\n
\n…the 1-4-5 chord progression can be played by using the the first, fourth, and fifth tones as a reference.<\/p>\n

Eb:
\n
\n…is the first tone.<\/p>\n

Ab:
\n
\n…is the fourth tone.<\/p>\n

Bb:
\n
\n…is the fifth tone.<\/p>\n

“On The Left Hand…”<\/em><\/p>\n

The Eb sus4 chord:
\n
\n…which consist of the first (Eb):
\n
\n…fourth (Ab):
\n
\n…and fifth (Bb):
\n
\n…tones of the Eb major scale:
\n
\n…serves as a guide that should help you remember the root progression.<\/p>\n

“On The Right Hand…”<\/em><\/p>\n

On the right hand, we’re playing three major chords that take their roots from the left hand notes (Eb, Ab, and Bb). We have the Eb major triad:
\n
\n…Ab major triad:
\n
\n…and the Bb major triad:
\n
\nTo make it smoother, we’ll replace the Eb major triad (played in root position):
\n
\n…with its second inversion:
\n
\nSo, we’ll have the Eb major triad:
\n
\n…Ab major triad:
\n
\n…and the Bb major triad:
\n
\n“Both Hands…”<\/em><\/p>\n

Putting both hands together, we have the Eb major triad:
\n
\n…the Ab major triad:
\n
\n…and the Bb major triad:
\n<\/p>\n

1-4-5 Chord Progression In The Key Of Ab Major<\/h3>\n

In the key of Ab major:
\n
\n…the 1-4-5 chord progression can be played by using the the first, fourth, and fifth tones as a reference.<\/p>\n

Ab:
\n
\n…is the first tone.<\/p>\n

Db:
\n
\n…is the fourth tone.<\/p>\n

Eb:
\n
\n…is the fifth tone.<\/p>\n

“On The Left Hand…”<\/em><\/p>\n

The Ab sus4 chord:
\n
\n…which consist of the first (Ab):
\n
\n…fourth (Db):
\n
\n…and fifth (Eb):
\n
\n…tones of the Ab major scale:
\n
\n…serves as a guide that should help you remember the root progression.<\/p>\n

“On The Right Hand…”<\/em><\/p>\n

On the right hand, we’re playing three major chords that take their roots from the left hand notes (Ab, Db, and Eb). We have the Ab major triad:
\n
\n…Db major triad:
\n
\n…and the Eb major triad:
\n
\nTo make it smoother, we’ll replace the Ab major triad (played in root position):
\n
\n…with its second inversion:
\n
\nSo, we’ll have the Ab major triad:
\n
\n…Db major triad:
\n
\n…and the Eb major triad:
\n
\n“Both Hands…”<\/em><\/p>\n

Putting both hands together, we have the Ab major triad:
\n
\n…the Db major triad:
\n
\n…and the Eb major triad:
\n<\/p>\n

1-4-5 Chord Progression In The Key Of Db Major<\/h3>\n

In the key of Db major:
\n
\n…the 1-4-5 chord progression can be played by using the the first, fourth, and fifth tones as a reference.<\/p>\n

Db:
\n
\n…is the first tone.<\/p>\n

Gb:
\n
\n…is the fourth tone.<\/p>\n

Ab:
\n
\n…is the fifth tone.<\/p>\n

“On The Left Hand…”<\/em><\/p>\n

The Db sus4 chord:
\n
\n…which consist of the first (Db):
\n
\n…fourth (Gb):
\n
\n…and fifth (Ab):
\n
\n…tones of the Db major scale:
\n
\n…serves as a guide that should help you remember the root progression.<\/p>\n

“On The Right Hand…”<\/em><\/p>\n

On the right hand, we’re playing three major chords that take their roots from the left hand notes (Db, Gb, and Ab). We have the Db major triad:
\n
\n…Gb major triad:
\n
\n…and the Ab major triad:
\n
\nTo make it smoother, we’ll replace the Db major triad (played in root position):
\n
\n…with its second inversion:
\n
\nSo, we’ll have the Db major triad:
\n
\n…Gb major triad:
\n
\n…and the Ab major triad:
\n
\n“Both Hands…”<\/em><\/p>\n

Putting both hands together, we have the Db major triad:
\n
\n…the Gb major triad:
\n
\n…and the Ab major triad:
\n<\/p>\n

1-4-5 Chord Progression In The Key Of F# Major<\/h3>\n

In the key of F# major:
\n
\n…the 1-4-5 chord progression can be played by using the the first, fourth, and fifth tones as a reference.<\/p>\n

F#:
\n
\n…is the first tone.<\/p>\n

B:
\n
\n…is the fourth tone.<\/p>\n

C#:
\n
\n…is the fifth tone.<\/p>\n

“On The Left Hand…”<\/em><\/p>\n

The F# sus4 chord:
\n
\n…which consist of the first (F#):
\n
\n…fourth (B):
\n
\n…and fifth (Cs):
\n
\n…tones of the F major scale:
\n
\n…serves as a guide that should help you remember the root progression.<\/p>\n

“On The Right Hand…”<\/em><\/p>\n

On the right hand, we’re playing three major chords that take their roots from the left hand notes (F#, B, and C#). We have the F# major triad:
\n
\n…B major triad:
\n
\n…and the C# major triad:
\n
\nTo make it smoother, we’ll replace the F# major triad (played in root position):
\n
\n…with its second inversion:
\n
\nSo, we’ll have the F# major triad:
\n
\n…B major triad:
\n
\n…and the C# major triad:
\n
\n“Both Hands…”<\/em><\/p>\n

Putting both hands together, we have the F# major triad:
\n
\n…the B major triad:
\n
\n…and the C# major triad:
\n<\/p>\n

1-4-5 Chord Progression In The Key Of B Major<\/h3>\n

In the key of B major:
\n
\n…the 1-4-5 chord progression can be played by using the the first, fourth, and fifth tones as a reference.<\/p>\n

B:
\n
\n…is the first tone.<\/p>\n

E:
\n
\n…is the fourth tone.<\/p>\n

F#:
\n
\n…is the fifth tone.<\/p>\n

“On The Left Hand…”<\/em><\/p>\n

The B sus4 chord:
\n
\n…which consist of the first (B):
\n
\n…fourth (E):
\n
\n…and fifth (F#):
\n
\n…tones of the B major scale:
\n
\n…serves as a guide that should help you remember the root progression.<\/p>\n

“On The Right Hand…”<\/em><\/p>\n

On the right hand, we’re playing three major chords that take their roots from the left hand notes (B, E, and F#). We have the B major triad:
\n
\n…E major triad:
\n
\n…and the F# major triad:
\n
\nTo make it smoother, we’ll replace the B major triad (played in root position):
\n
\n…with its second inversion:
\n
\nSo, we’ll have the B major triad:
\n
\n…E major triad:
\n
\n…and the F# major triad:
\n
\n“Both Hands…”<\/em><\/p>\n

Putting both hands together, we have the B major triad:
\n
\n…the E major triad:
\n
\n…and the F# major triad:
\n<\/p>\n

1-4-5 Chord Progression In The Key Of E Major<\/h3>\n

In the key of E major:
\n
\n…the 1-4-5 chord progression can be played by using the the first, fourth, and fifth tones as a reference.<\/p>\n

E:
\n
\n…is the first tone.<\/p>\n

A:
\n
\n…is the fourth tone.<\/p>\n

B:
\n
\n…is the fifth tone.<\/p>\n

“On The Left Hand…”<\/em><\/p>\n

The E sus4 chord:
\n
\n…which consist of the first (E):
\n
\n…fourth (A):
\n
\n…and fifth (B):
\n
\n…tones of the E major scale:
\n
\n…serves as a guide that should help you remember the root progression.<\/p>\n

“On The Right Hand…”<\/em><\/p>\n

On the right hand, we’re playing three major chords that take their roots from the left hand notes (E, A, and B). We have the E major triad:
\n
\n…A major triad:
\n
\n…and the B major triad:
\n
\nTo make it smoother, we’ll replace the E major triad (played in root position):
\n
\n…with its second inversion:
\n
\nSo, we’ll have the E major triad:
\n
\n…A major triad:
\n
\n…and the B major triad:
\n
\n“Both Hands…”<\/em><\/p>\n

Putting both hands together, we have the E major triad:
\n
\n…the A major triad:
\n
\n…and the B major triad:
\n<\/p>\n

1-4-5 Chord Progression In The Key Of A Major<\/h3>\n

In the key of Ab major:
\n
\n…the 1-4-5 chord progression can be played by using the the first, fourth, and fifth tones as a reference.<\/p>\n

A:
\n
\n…is the first tone.<\/p>\n

D:
\n
\n…is the fourth tone.<\/p>\n

E:
\n
\n…is the fifth tone.<\/p>\n

“On The Left Hand…”<\/em><\/p>\n

The A sus4 chord:
\n
\n…which consist of the first (A):
\n
\n…fourth (D):
\n
\n…and fifth (E):
\n
\n…tones of the A major scale:
\n
\n…serves as a guide that should help you remember the root progression.<\/p>\n

“On The Right Hand…”<\/em><\/p>\n

On the right hand, we’re playing three major chords that take their roots from the left hand notes (Ab, Db, and Eb). We have the A major triad:
\n
\n…D major triad:
\n
\n…and the E major triad:
\n
\nTo make it smoother, we’ll replace the A major triad (played in root position):
\n
\n…with its second inversion:
\n
\nSo, we’ll have the A major triad:
\n
\n…D major triad:
\n
\n…and the E major triad:
\n
\n“Both Hands…”<\/em><\/p>\n

Putting both hands together, we have the A major triad:
\n
\n…the D major triad:
\n
\n…and the E major triad:
\n<\/p>\n

1-4-5 Chord Progression In The Key Of D Major<\/h3>\n

In the key of D major:
\n
\n…the 1-4-5 chord progression can be played by using the the first, fourth, and fifth tones as a reference.<\/p>\n

D:
\n
\n…is the first tone.<\/p>\n

G:
\n
\n…is the fourth tone.<\/p>\n

A:
\n
\n…is the fifth tone.<\/p>\n

“On The Left Hand…”<\/em><\/p>\n

The D sus4 chord:
\n
\n…which consist of the first (D):
\n
\n…fourth (G):
\n
\n…and fifth (A):
\n
\n…tones of the D major scale:
\n
\n…serves as a guide that should help you remember the root progression.<\/p>\n

“On The Right Hand…”<\/em><\/p>\n

On the right hand, we’re playing three major chords that take their roots from the left hand notes (D, G, and A). We have the D major triad:
\n
\n…G major triad:
\n
\n…and the A major triad:
\n
\nTo make it smoother, we’ll replace the D major triad (played in root position):
\n
\n…with its second inversion:
\n
\nSo, we’ll have the D major triad:
\n
\n…G major triad:
\n
\n…and the A major triad:
\n
\n“Both Hands…”<\/em><\/p>\n

Putting both hands together, we have the D major triad:
\n
\n…the G major triad:
\n
\n…and the A major triad:
\n<\/p>\n

1-4-5 Chord Progression In The Key Of G Major<\/h3>\n

In the key of G major:
\n
\n…the 1-4-5 chord progression can be played by using the the first, fourth, and fifth tones as a reference.<\/p>\n

G:
\n
\n…is the first tone.<\/p>\n

C:
\n
\n…is the fourth tone.<\/p>\n

D:
\n
\n…is the fifth tone.<\/p>\n

“On The Left Hand…”<\/em><\/p>\n

The G sus4 chord:
\n
\n…which consist of the first (G):
\n
\n…fourth (C):
\n
\n…and fifth (D):
\n
\n…tones of the G major scale:
\n
\n…serves as a guide that should help you remember the root progression.<\/p>\n

“On The Right Hand…”<\/em><\/p>\n

On the right hand, we’re playing three major chords that take their roots from the left hand notes (G, C, and D). We have the G major triad:
\n
\n…C major triad:
\n
\n…and the D major triad:
\n
\nTo make it smoother, we’ll replace the G major triad (played in root position):
\n
\n…with its second inversion:
\n
\nSo, we’ll have the G major triad:
\n
\n…C major triad:
\n
\n…and the D major triad:
\n
\n“Both Hands…”<\/em><\/p>\n

Putting both hands together, we have the G major triad:
\n
\n…the C major triad:
\n
\n…and the D major triad:
\n<\/p>\n

The Application Of Primary Chords In The Accompaniment Of Hymn Songs<\/h2>\n

Like I said earlier, the goal of learning the 1-4-5 chord progression is to master primary chords in all twelve keys.<\/p>\n

Primary chords can be used to accompany a variety of songs and we’ll be ending this lesson with the application of primary chords.<\/p>\n

Attention: All examples are given in the key of C major.<\/p>\n

Here are two hymn examples:<\/p>\n

Oh! how I love Jesus<\/em><\/p>\n

Jesus loves me<\/em><\/p><\/blockquote>\n

Hymn #1 “Oh! How I Love Jesus”<\/em><\/h3>\n

Oh:
\n
\n…how I love Je-sus:
\n
\nOh:
\n
\n…how I love Je:
\n
\n…sus:
\n
\nOh:
\n
\n…how I love:
\n
\n…Je-sus, be-:
\n
\n…cau-ause he:
\n
\n…first:
\n
\n…loved:
\n
\n…me:
\n<\/p>\n

Hymn #2 “Jesus Loves Me”<\/em><\/h3>\n

Yes, Jesus:
\n
\n…loves me:
\n
\nYes, Jesus:
\n
\n…loves me:
\n
\nYes, Jesus:
\n
\n…loves me, the:
\n
\n…bi-ble:
\n
\n…tells me:
\n
\n…so:
\n<\/p>\n

Final Words<\/h2>\n

The knowledge of primary chords in all twelve keys is priceless.<\/p>\n

As little as it may seem, it’s just enough to get you started with playing in all twelve keys and a vast majority of musicians who are still struggling with electronic transposition will find this lesson helpful.<\/p>\n

See you in the next lesson!<\/p>\n","protected":false},"excerpt":{"rendered":"

In today’s lesson, we’ll be focusing on the 1-4-5 chord progression in all twelve major keys on the keyboard. The 1-4-5 chord progression is one of the most important chord progressions that every beginner must be properly acquainted with, before delving into sophisticated chord progressions. If you’re a beginner and are interested in learning how […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[53,23,25,28],"tags":[54,55,149],"class_list":["post-936","post","type-post","status-publish","format-standard","hentry","category-beginners","category-blog","category-chords-and-progressions","category-videos","tag-1-4-5-chord-progression","tag-1-4-5-chords","tag-primary-chords"],"yoast_head":"\nHow To Play The 1-4-5 Chord Progression In All Twelve Major Keys - Gospel Music Training Center<\/title>\n<meta name=\"description\" content=\"If you;re interested in learning how to play the 1-4-5 chord progression in all twelve majoor keys.\" \/>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"How To Play The 1-4-5 Chord Progression In All Twelve Major Keys - Gospel Music Training Center\" \/>\n<meta name=\"twitter:description\" content=\"If you;re interested in learning how to play the 1-4-5 chord progression in all twelve majoor keys.\" \/>\n<meta name=\"twitter:image\" content=\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C,&color=FF6666&size=2\" \/>\n<meta name=\"twitter:creator\" content=\"@realhearandplay\" \/>\n<meta name=\"twitter:site\" content=\"@realhearandplay\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Chuku Onyemachi\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"15 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/gospelhap.wpenginepowered.com\\\/how-to-play-the-1-4-5-chord-progression-in-all-twelve-major-keys\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/gospelhap.wpenginepowered.com\\\/how-to-play-the-1-4-5-chord-progression-in-all-twelve-major-keys\\\/\"},\"author\":{\"name\":\"Chuku Onyemachi\",\"@id\":\"https:\\\/\\\/gospelhap.wpenginepowered.com\\\/#\\\/schema\\\/person\\\/f7254a1ec032bd45c016d913a3164efc\"},\"headline\":\"How To Play The 1-4-5 Chord Progression In All Twelve Major Keys\",\"datePublished\":\"2017-05-29T08:00:00+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/gospelhap.wpenginepowered.com\\\/how-to-play-the-1-4-5-chord-progression-in-all-twelve-major-keys\\\/\"},\"wordCount\":3108,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/gospelhap.wpenginepowered.com\\\/how-to-play-the-1-4-5-chord-progression-in-all-twelve-major-keys\\\/#primaryimage\"},\"thumbnailUrl\":\"http:\\\/\\\/www.hearandplaymusic.com\\\/dynamic_image\\\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C,&color=FF6666&size=2\",\"keywords\":[\"1-4-5 chord progression\",\"1-4-5 chords\",\"primary chords\"],\"articleSection\":[\"Beginners\",\"Blog\",\"Chords and Progressions\",\"Free Videos\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/gospelhap.wpenginepowered.com\\\/how-to-play-the-1-4-5-chord-progression-in-all-twelve-major-keys\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/gospelhap.wpenginepowered.com\\\/how-to-play-the-1-4-5-chord-progression-in-all-twelve-major-keys\\\/\",\"url\":\"https:\\\/\\\/gospelhap.wpenginepowered.com\\\/how-to-play-the-1-4-5-chord-progression-in-all-twelve-major-keys\\\/\",\"name\":\"How To Play The 1-4-5 Chord Progression In All Twelve Major Keys - 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