{"id":935,"date":"2017-05-19T00:00:00","date_gmt":"2017-05-19T08:00:00","guid":{"rendered":"http:\/\/gospel.hearandplay.com\/main\/?p=935"},"modified":"2017-05-19T00:00:00","modified_gmt":"2017-05-19T08:00:00","slug":"borrowed-chords-gospel-musicians-cannot-without","status":"publish","type":"post","link":"https:\/\/gospelhap.wpenginepowered.com\/borrowed-chords-gospel-musicians-cannot-without\/","title":{"rendered":"Here Are Borrowed Chords Gospel Musicians Cannot Do Without"},"content":{"rendered":"

You arrived at this page because you’re interested in learning about borrowed chords gospel musicians cannot do without.<\/p>\n

If you’re a fan of traditional gospel music, you must have heard tons of these borrowed chords. In the key of C major:
\n\"\"
\n…a regular example is the F minor triad:
\n\"\"
\n…which a lot of gospel players use to substitute the F major triad:
\n\"\"
\n…especially in hymns and traditional gospel songs. In this lesson, we’ll be covering some of the borrowed chords that are commonly heard in gospel music.<\/p>\n

But before we go into all of that, let’s review the concept Of planet fitness hydromassage<\/a> Borrowed chords.<\/p>\n

“What Are Borrowed Chords?”<\/em><\/h2>\n

There are two key types – the major and the minor key. Altogether, there are 24 keys – 12 major keys and 12 minor keys.<\/p>\n

There is so much emphasis on the major key and that’s because a vast majority of the songs we sing in church, hear over the radio, etc., are on the major key.<\/p>\n

There’s the key of C major:
\n\"\"
\n…and there’s the key of C minor:
\n\"\"
\n…and both keys are referred to as parallel keys.<\/p>\n

A parallel key relationship<\/strong> exists between two keys that have the same letter name – like C major and C minor, D major and D minor, etc.<\/p>\n

A Short Note On Borrowed Chords<\/h3>\n

The same way we have chords in the major key, there are chords in the minor key as well. The C major triad:
\n\"\"
\n…is the chord of the first degree in the key of C major:
\n\"\"
\n…while the C minor triad:
\n\"\"
\n…is the chord of the first degree in the key of C minor:
\n\"\"
\nThe concept of borrowed chords has to do with borrowing chords from a parallel key. For example, if the prevalent key is C major:
\n\"\"
\n…and the chord of the first degree is the C major triad:
\n\"\"
\n…it’s possible to borrow the chord of the first degree in the minor key (which is C minor triad):
\n\"\"
\n…and apply it in the major key.<\/p>\n

So, the C minor triad:
\n\"\"
\n…in the key of C major:
\n\"\"
\n…is a borrowed chord, because it was adapted from the parallel minor key – the key of C minor.<\/p>\n

In a nutshell, borrowed chords are chords that are adapted from a parallel key.<\/p>\n

“Before We Go Any Further, Here Are The Scale Degree Triads In The Minor Key…”<\/em><\/p>\n

Chord 1:
\n\"\"
\n…the C minor triad.<\/p>\n

Chord 2:
\n\"\"
\n…the D diminished triad.<\/p>\n

Chord 3:
\n\"\"
\n…the Eb major triad.<\/p>\n

Chord 4:
\n\"\"
\n…the F minor triad.<\/p>\n

Chord 5:
\n\"\"
\n…the G minor triad.<\/p>\n

Chord 6:
\n\"\"
\n…the Ab major triad.<\/p>\n

Chord 7:
\n\"\"
\n…the Bb major triad.<\/p>\n

Borrowed Chords Gospel Musicians Cannot Do Without<\/h2>\n

We’ll be taking a look at some borrowed triads, seventh and extended chords that are commonly heard in gospel music.<\/p>\n

Attention:<\/strong> All examples are in the key of C major.<\/p>\n

Borrowed Triads<\/h3>\n

Borrowed triads are triads that are adapted from the parallel minor key. Although there are seven scale-degree triads in the key of C minor:
\n\"\"
\n…only five of them are usually borrowed in gospel music.<\/p>\n

“Check Them Out…”<\/em><\/p>\n

Chord 2:
\n\"\"
\n…the D diminished triad.<\/p>\n

Chord 4:
\n\"\"
\n…the F minor triad.<\/p>\n

Chord 5:
\n\"\"
\n…the G minor triad.<\/p>\n

Chord 6:
\n\"\"
\n…the Ab major triad.<\/p>\n

Chord 7:
\n\"\"
\n…the Bb major triad.<\/p>\n

“The Blood Will Never Lose Its Power – A Classic Example Of The Application Of Borrowed Chords…”<\/em><\/p>\n

It will ne (F minor triad):
\n\"\"
\n…e:
\n\"\"
\n…ver (D diminished):
\n\"\"
\n…loose:
\n\"\"
\n…its:
\n\"\"
\n…power:
\n\"\"
\nThe F minor and D diminished triads that were used in the progression are borrowed chords.<\/p>\n

“Total Praise – A Classic Example Of The Application Of Borrowed Chords…”<\/em><\/p>\n

A:
\n\"\"
\n…a (D diminished triad):
\n\"\"
\n…a:
\n\"\"
\n…men (F minor):
\n\"\"
\n…a:
\n\"\"
\n…a (F minor):
\n\"\"
\n…a (G minor):
\n\"\"
\n…a (F minor):
\n\"\"
\n…men:
\n\"\"
\nThe D diminished, F minor triads that were used in the progression are borrowed chords from the key of C minor.<\/p>\n

Borrowed Seventh Chords<\/h3>\n

Although there are 7 seventh chords in the parallel minor key, only a few seventh chords are usually borrowed.<\/p>\n

“Check Them Out…”<\/em><\/p>\n

\n
<\/div>\n
<\/div>\n

Chord 2:
\n\"\"
\n…the D half-diminished seventh chord.<\/p>\n

Chord 5:
\n\"\"
\n…the G minor seventh chord.<\/p>\n

Chord 6:
\n\"\"
\n…the Ab major seventh chord.<\/p>\n

“Praise Is What I Do – A Classic Example Of The Application Of Borrowed Chords…”<\/em><\/p>\n

Praise is what I do (Ab major seventh):
\n\"\"
\n…ooo-oo (G minor seventh):
\n\"\"
\n…is what I do:
\n\"\"<\/p>\n

Borrowed Ninth Chords<\/h3>\n

Ninth chords are extended and sophisticated chords that are commonly played by intermediate and advanced players.<\/p>\n

There are two ninth chords in the parallel minor key that most top players borrow.<\/p>\n

“You’ll Do Well To Check Them Out…”<\/em><\/p>\n

Chord 4:
\n\"\"
\n…the F minor ninth chord.<\/p>\n

Chord 7:
\n\"\"
\n…the Bb dominant ninth chord.<\/p>\n

“Amazing Grace – A Classic Example Of The Application Of Borrowed Chords…”<\/em><\/p>\n

Saved a wretch like me (F minor ninth chord):
\n\"\"
\n…passing chord (Bb dominant ninth chord):
\n\"\"
\n<\/div>\n <\/div>\n

Final Words<\/h2>\n

Borrowed chords are of the greatest possible importance in gospel music and every serious keyboardist must learn and master them.<\/p>\n

This is how far we can go for today. Go ahead and master the art of borrowing chords in other keys – it’s a good thing to do.<\/p>\n

See you in another lesson!<\/p>\n","protected":false},"excerpt":{"rendered":"

You arrived at this page because you’re interested in learning about borrowed chords gospel musicians cannot do without. If you’re a fan of traditional gospel music, you must have heard tons of these borrowed chords. In the key of C major: …a regular example is the F minor triad: …which a lot of gospel players […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[53,23,25,26,28],"tags":[74],"class_list":["post-935","post","type-post","status-publish","format-standard","hentry","category-beginners","category-blog","category-chords-and-progressions","category-experienced-players","category-videos","tag-borrowed-chords"],"yoast_head":"\nHere Are Borrowed Chords Gospel Musicians Cannot Do Without - Gospel Music Training Center<\/title>\n<meta name=\"description\" content=\"Learn about the vital borrowed chords every serious gospel musician must not be without.\" \/>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"Here Are Borrowed Chords Gospel Musicians Cannot Do Without - 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