If you’ve always wanted to learn some 2-5-1 chord progressions with a jazzy touch, this lesson is for you.<\/p>\n
There are eight degrees in any key — whether major or minor. In the key of C major:<\/p>\n
C is the first<\/p>\n
D is the second<\/p>\n
E is the third<\/p>\n
F is the fourth<\/p>\n
G is the fifth<\/p>\n
A is the sixth<\/p>\n
B is the seventh<\/p>\n
C is the eighth<\/p><\/blockquote>\n
The movement of chords from one degree of the scale to another produces a chord progression.<\/p>\n
The 2-5-1 chord progression is a product of the movement of chords from the second to the fifth, then to the first degree of the scale.<\/p>\n
In the key of C major:
\n![\"\"](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C,&color=0000FF&size=2\")
\n…the 2-5-1 chord progression is a product of the movement from chord 2 (which is the D minor seventh chord):
\n![\"\"](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=D,D,F,A,C,&color=0000FF&size=2\")
\n…to chord 5 (which is the G dominant seventh chord):
\n![\"\"](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=G,D,F,G,B,,&color=0000FF&size=2\")
\n…then to chord 1 (which is the C major seventh chord):<\/p>\n
2-5-1 Chord Progressions With A Jazzy Touch<\/h2>\n
One of the characteristic features of later jazz styles like the bebop<\/em> is complex harmony.<\/p>\nAlthough this is not always the case, jazz musicians incorporate a variety of harmonically advanced chords to set their playing apart from other musicians.<\/p>\n
In this segment, we’ll be learning 5 jazzy variants of the 2-5-1 chord progression.<\/p>\n
Jazzy 2-5-1 Chord Progression #1<\/h3>\n
Chord 2 is the D minor eleventh chord:
\n![\"\"](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=,,F,C,E,A,C,E,G&color=0000FF&size=2\")
\n…played with F, C, and E (on the left hand):<\/p>\n
…and A, C, E, and G (on the right hand):<\/p>\n
Chord 5 is the G dominant thirteenth (sharp eleventh) chord:
\n![\"\"](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=,,F,B,E,A,Cs,E&color=0000FF&size=2\")
\n…played with F, B, and E (on the left hand):<\/p>\n
…and A, C#, and E (on the right hand):<\/p>\n
Chord 1 is the C major thirteenth chord:
\n![\"\"](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=,,E,A,D,G,B,D&color=0000FF&size=2\")
\n…played with E, A, and D (on the left hand):<\/p>\n
…and G, B, and D (on the right hand):<\/p>\n
Altogether, check out this jazzy 2-5-1 chord progression…<\/p>\n
Chord 2:
\n
\nChord 5:
\n
\nChord 1:
\n<\/p>\n
Jazzy 2-5-1 Chord Progression #2<\/h3>\n
Chord 2 is the D minor eleventh chord:
\n![\"\"](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=,,D,G,C,F,A,C&color=0000FF&size=2\")
\n…played with D, G, and C (on the left hand):<\/p>\n
…and F, A, and C (on the right hand):<\/p>\n
Chord 5 – we’re moving chord 2 up by a half-step to the D# minor eleventh chord:
\n![\"\"](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=,,Ds,Gs,Cs,Fs,As,Cs&color=0000FF&size=2\")
\n…played with D#, G#, and C# (on the left hand):<\/p>\n
…and F#, A#, and C# (on the right hand):<\/p>\n
Chord 1 – we’re also moving chord 5 up by a half-step to the C major thirteenth chord:
\n
\n…played with E, A, and D (on the left hand):<\/p>\n
…and G, B, and D (on the right hand):<\/p>\n
Altogether, check out this jazzy 2-5-1 chord progression…<\/p>\n
Chord 2:
\n
\nChord 5:
\n
\nChord 1:
\n<\/p>\n
Jazzy 2-5-1 Chord Progression #3<\/h3>\n
Chord 2 is the D dominant thirteenth (flat ninth) chord:
\n![\"\"](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=,,Fs,C,Ds,Fs,B,&color=0000FF&size=2\")
\n…played with F# and C (on the left hand):<\/p>\n
…and D#, F#, and B (on the right hand):<\/p>\n
Chord 5 is the G dominant thirteenth (sharp eleventh) chord:
\n![\"\"](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=,,F,B,E,Gs,B,&color=0000FF&size=2\")
\n…played with F, and B (on the left hand):<\/p>\n
…and E, G#, and B (on the right hand):<\/p>\n
Chord 1 is the C major thirteenth chord:
\n![\"\"](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=,,E,A,D,G,C&color=0000FF&size=2\")
\n…played with E and A (on the left hand):<\/p>\n
…and D, G, and C (on the right hand):<\/p>\n
Altogether, check out this jazzy 2-5-1 chord progression…<\/p>\n
Chord 2:
\n
\nChord 5:
\n
\nChord 1:
\n<\/p>\n
Jazzy 2-5-1 Chord Progression #4<\/h3>\n
Chord 2:<\/p>\n
…is substituted with the Ab altered chord:<\/p>\n
…played with Ab and Gb (on the left hand):<\/p>\n
…and C, E, F#, and B (on the right hand):<\/p>\n
Chord 5:<\/p>\n
…is substituted with the Db major ninth chord:<\/p>\n
…played with Db, F, and Bb (on the left hand):<\/p>\n
…and Eb, F, Ab, and C (on the right hand):<\/p>\n
Chord 1:<\/p>\n
…is the C major thirteenth chord:<\/p>\n
…played with C, E, and A (on the left hand):<\/p>\n
…and D, G, B, and D (on the right hand):<\/p>\n
Altogether, check out this jazzy 2-5-1 chord progression…<\/p>\n
Chord 2:<\/p>\n
Chord 5:<\/p>\n
Chord 1:<\/p>\n
Jazzy 2-5-1 Chord Progression #5<\/h3>\n
Chord 2:
\n![\"\"](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=,,D,A,Fs,A,C,E&color=0000FF&size=2\")
\n…is the D dominant ninth chord:<\/p>\n
…played with D and A (on the left hand):<\/p>\n
…and F#, A, C, and E (on the right hand):<\/p>\n
Chord 5:
\n![\"\"](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=G,,,F,Ab,C,Eb&color=0000FF&size=2\")
\n…is the G dominant seventh (flat nine, sharp five) chord:<\/p>\n
…played with G (on the left hand):<\/p>\n
…and F, Ab, B, and Eb (on the right hand):<\/p>\n
Chord 1 is the C major ninth chord:
\n![\"\"](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=C,,,E,G,B,D&color=0000FF&size=2\")
\n…played with C (on the left hand):<\/p>\n
…and E, G, B, and D (on the right hand):<\/p>\n
Altogether, check out this jazzy 2-5-1 chord progression…<\/p>\n
Chord 2:
\n
\nChord 5:
\n
\nChord 1:
\n<\/p>\n
<\/p>\n
Final Words<\/h2>\n
Now that you’ve learned these jazzy variations of the 2-5-1 chord progression, It’s important for you to dedicate some time to learning and practicing them in all 12 keys.<\/p>\n
See you in the next lesson!<\/p>\n","protected":false},"excerpt":{"rendered":"
If you’ve always wanted to learn some 2-5-1 chord progressions with a jazzy touch, this lesson is for you. A Short Note On The 2-5-1 Chord Progression There are eight degrees in any key — whether major or minor. In the key of C major: C is the first D is the second E is […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23,25,26,28],"tags":[61],"class_list":["post-901","post","type-post","status-publish","format-standard","hentry","category-blog","category-chords-and-progressions","category-experienced-players","category-videos","tag-2-5-1-chord-progressions"],"yoast_head":"\n
Here Are Some 2-5-1 Chord Progressions With A Jazzy Touch - Gospel Music Training Center<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"Here Are Some 2-5-1 Chord Progressions With A Jazzy Touch - Gospel Music Training Center\" \/>\n<meta name=\"twitter:description\" content=\"If you’ve always wanted to learn some 2-5-1 chord progressions with a jazzy touch, this lesson is for you. A Short Note On The 2-5-1 Chord Progression There are eight degrees in any key — whether major or minor. 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