Let’s get started.<\/p>\n
Dominant Seventh [Flat Ninth] Chord<\/h2>\nAlthough we covered this chord type earlier as a passing chord to major chords, it can be used as a passing chord to minor chords. Here’s a classic example: the C dominant seventh [flat ninth] chord:
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=,,C,E,G,Bb,Db,&color=9966FF&size=2\")
\n“Analysis Of The Voicing…”<\/em><\/h3>\nThe dominant seventh [flat ninth] chord can be voiced by playing a diminished seventh chord a whole step below a given root note.<\/p>\n
The F# dominant seventh [flat ninth] chord can be voiced by playing a diminished seventh chord that is a whole step below the root note (F#):
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=,,Fs,,&color=9966FF&size=2\")
\n….(which is the E diminished seventh chord):
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=,,E,G,Bb,Db,&color=9966FF&size=2\")
\nThe E diminished seventh chord:
\n
\n…over F# (on the bass):
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=Fs,,,&color=9966FF&size=2\")
\n…produces the F# dominant seventh [flat ninth] chord:
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=Fs,E,G,Bb,Db,&color=9966FF&size=2\")
\n“Application Of The Dominant Seventh [Flat Ninth] Chord…”<\/em><\/h3>\nThe dominant seventh [flat ninth] chord can easily be applied as a passing chord to a minor chord that is a fourth above (or a fifth below) its root.<\/p>\n
The B dominant seventh [flat ninth] chord:
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=B,A,C,Eb,Gb,&color=9966FF&size=2\")
\n…can be applied as a passing chord to a minor chord that’s a fourth above (or a fifth below) its root.<\/p>\n
A fifth below B:
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=B,,,&color=9966FF&size=2\")
\n…is E:
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=E,,,&color=9966FF&size=2\")
\nTherefore, the B dominant seventh [flat ninth] chord:
\n
\n…can be applied as a passing chord to E minor chords like the E minor triad:
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=E,,B,E,G,&color=9966FF&size=2\")
\n…E minor seventh chord:
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=E,,B,D,G,&color=9966FF&size=2\")
\n…E minor ninth chord:
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=E,,G,B,D,Fs,&color=9966FF&size=2\")
\n…etc.<\/p>\n
“Check Out All The Dominant Seventh [Flat Ninth] Chords On The Keyboard…”<\/em><\/h3>\nC dominant seventh [flat ninth] chord:
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=C,,Bb,Db,E,G,&color=9966FF&size=2\")
\nDb dominant seventh [flat ninth] chord:
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=Db,,Cb,D,F,Ab,&color=9966FF&size=2\")
\nD dominant seventh [flat ninth] chord:
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=D,C,Eb,Gb,A,,&color=9966FF&size=2\")
\nEb dominant seventh [flat ninth] chord:
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=Eb,Cs,E,G,Bb,,&color=9966FF&size=2\")
\nE dominant seventh [flat ninth] chord:
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=E,D,F,Ab,B,,&color=9966FF&size=2\")
\nF dominant seventh [flat ninth] chord:
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=F,Eb,Gb,A,C,&color=9966FF&size=2\")
\nF# dominant seventh [flat ninth] chord:
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=Fs,E,G,Bb,Cs,&color=9966FF&size=2\")
\nG dominant seventh [flat ninth] chord:
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=G,F,Ab,B,D,&color=9966FF&size=2\")
\nAb dominant seventh [flat ninth] chord:
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=Ab,Gb,A,C,Eb,&color=9966FF&size=2\")
\nA dominant seventh [flat ninth] chord:
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=A,G,Bb,Cs,E,&color=9966FF&size=2\")
\nBb dominant seventh [flat ninth] chord:
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=Bb,Ab,B,D,F,&color=9966FF&size=2\")
\nB dominant seventh [flat ninth] chord:
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=B,A,C,Ds,Fs,&color=9966FF&size=2\")
<\/p>\n
Dominant Seventh [Flat Ninth, Sharp Fifth] Chord<\/h2>\nHere’s another essential passing chord that precedes minor chords in chord progressions: the dominant seventh [flat ninth, sharp fifth] chord.
\n\n <\/div>\n <\/div>\nA classic example of the dominant seventh [flat ninth, sharp fifth] chord is the C dominant seventh [flat ninth, sharp fifth] chord:
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=,,C,E,Gs,Bb,Db,&color=9966FF&size=2\")
\n…which can be voiced<\/em> using the Bb half-diminished seventh chord:
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=,,Bb,Db,Fb,Ab,&color=9966FF&size=2\")
\nPlaying the Bb half-diminished seventh chord:
\n
\n…over C (on the bass):
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=C,,,&color=9966FF&size=2\")
\n…produces the C dominant seventh [flat ninth, sharp fifth] chord:
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=C,,Bb,Db,E,Ab,&color=9966FF&size=2\")
\n“Analysis Of The Voicing…”<\/em><\/h3>\nThe dominant seventh [flat ninth, sharp fifth] chord can be voiced by playing a half-diminished seventh chord a whole step below a given root note.<\/p>\n
For example, the Eb dominant seventh [flat ninth, sharp fifth] chord can be voiced by playing a half-diminished seventh chord that’s a whole step below the root (Eb):
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=,,Eb,,&color=9966FF&size=2\")
\n….(which is the C# half-diminished seventh chord):
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=,,Cs,E,G,B,,&color=9966FF&size=2\")
\nThe C# half-diminished seventh chord:
\n
\n…over Eb (on the bass):
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=Eb,,,&color=9966FF&size=2\")
\n…produces the Eb dominant seventh [flat ninth, sharp fifth] chord:
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=Eb,Cs,E,G,B,,&color=9966FF&size=2\")
\n“Application Of The Dominant Seventh [Flat Ninth, Sharp Fifth] Chord…”<\/em><\/h3>\nThe dominant seventh [flat ninth, sharp fifth] chord can be used as a passing chord to a minor chord that is a fourth above (or fifth below) its root. For example, the G dominant seventh [flat ninth, sharp fifth] chord:
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=G,F,Ab,B,Eb,&color=9966FF&size=2\")
\n…can be used as a passing chord to a minor chord that’s a fifth below its root. A fifth below G:
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=G,,,&color=9966FF&size=2\")
\n…is C:
\n
\nConsequently, the G dominant seventh [flat ninth, sharp fifth] chord:
\n
\n…resolves to any C minor chord, which may include any of the following:<\/p>\n
C minor triad:
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=C,,Eb,G,C,&color=9966FF&size=2\")
\nC minor seventh:
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=C,,Eb,G,Bb,,&color=9966FF&size=2\")
\nC minor ninth:
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=C,,Eb,G,Bb,D,&color=9966FF&size=2\")
\nFollowing the same procedure, any dominant seventh [flat ninth, sharp fifth] chord can be applied.
\n<\/div>\n <\/div>\n
Dominant Seventh [Sharp Ninth, Sharp Fifth] Chord<\/h2>\n
The dominant seventh [sharp ninth, sharp fifth] chord is arguably the most preferred passing chord type that precedes minor chords.<\/p>\n
A classic example of the dominant seventh [sharp ninth, sharp fifth] chord is the C dominant seventh [sharp ninth, sharp fifth] chord:
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=,,C,E,Gs,Bb,Ds,&color=9966FF&size=2\")
\n…which can be voiced<\/em> using the Bb seventh [suspended fourth, suspended sharp fourth] chord:
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=,,Bb,Eb,E,Ab,&color=9966FF&size=2\")
\nPlaying the Bb seventh [suspended fourth, suspended sharp fourth] chord:
\n
\n…over C (on the bass):
\n
\n…produces the C dominant seventh [sharp ninth, sharp fifth] chord:
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=C,,Bb,Eb,E,Ab,&color=9966FF&size=2\")
\n“Analysis Of The Voicing…”<\/em><\/h3>\nThe dominant seventh [sharp ninth, sharp fifth] chord can be voiced by playing a seventh [suspended fourth, suspended sharp fourth] chord a whole step below a given root note.<\/p>\n
For example, the G# dominant thirteenth [sharp eleventh] chord can be voiced by playing a seventh [suspended fourth, suspended sharp fourth] chord that’s a whole step below the root (G#):
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=,,Gs,,&color=9966FF&size=2\")
\n….(which is the F# seventh [suspended fourth, suspended sharp fourth] chord):
\n
\nThe F# seventh [suspended fourth, suspended sharp fourth] chord:
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=,,Fs,B,Bs,E,&color=9966FF&size=2\")
\n…over G# (on the bass):
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=Gs,,,&color=9966FF&size=2\")
\n…produces the G# dominant seventh [sharp ninth, sharp fifth] chord:
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=Gs,Fs,B,C,E,&color=9966FF&size=2\")
\n“Application Of The Dominant Seventh [Sharp Ninth, Sharp Fifth] Chord…”<\/em><\/h3>\nThe dominant seventh [flat ninth, sharp fifth] chord can be used as a passing chord to a minor chord that is a fourth above (or fifth below) its root. For example, the D dominant seventh [sharp ninth, sharp fifth] chord:
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=D,,,C,F,Fs,Bb,&color=9966FF&size=2\")
\n…can be used as a passing chord to a minor chord that’s a fourth above its root. A fourth above D:
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=D,,,&color=9966FF&size=2\")
\n…is G:
\n
\nConsequently, the D dominant seventh [sharp ninth, sharp fifth] chord:
\n
\n…resolves to any G minor chord, which may include any of the following:<\/p>\n
G minor triad:
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=G,G,Bb,D,&color=9966FF&size=2\")
\nG minor seventh:
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=G,F,Bb,D,&color=9966FF&size=2\")
\nG minor ninth:
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=G,F,A,Bb,D,&color=9966FF&size=2\")
\nFollowing the same procedure, any dominant seventh [sharp ninth, sharp fifth] chord can be applied.<\/p>\n
Dominant Seventh [Flat Ninth, Flat Fifth] Chord<\/h2>\n
The list of essential passing chords is not complete without the dominant seventh [flat ninth, flat fifth] chord.<\/p>\n
A classic example of the dominant seventh [flat ninth, sharp fifth] chord is the C dominant seventh [flat ninth, flat fifth] chord:
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=,,C,E,Gb,Bb,Db,&color=9966FF&size=2\")
\n…which can be voiced<\/em> using the Gb dominant seventh chord (in second inversion):
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=,,,Db,Fb,Gb,Bb,&color=9966FF&size=2\")
\nPlaying the Gb dominant seventh chord:
\n
\n…over C (on the bass):
\n
\n…produces the C dominant seventh [flat ninth, flat fifth] chord:
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=C,,,Db,Fb,Gb,Bb,&color=9966FF&size=2\")
\n“Analysis Of The Voicing…”<\/em><\/h3>\nThe dominant seventh [flat ninth, flat fifth] chord can be voiced by playing a dominant seventh chord a tritone below a given root note.<\/p>\n
For example, the B dominant seventh [flat ninth, flat fifth] chord can be voiced by playing a dominant seventh chord that’s a tritone below the root (B):
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=,,B,,&color=9966FF&size=2\")
\n….(which is the F dominant seventh chord):
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=,,F,A,C,Eb,&color=9966FF&size=2\")
\nThe F dominant seventh chord (in second inversion):
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=,,,C,Eb,F,A,&color=9966FF&size=2\")
\n…over B (on the bass):
\n
\n…produces the B dominant seventh [flat ninth, flat fifth] chord:
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=B,,,C,Eb,F,A,&color=9966FF&size=2\")
\n“Application Of The Dominant Seventh [Flat Ninth, Flat Fifth] Chord…”<\/em><\/h3>\nThe dominant seventh [flat ninth, flat fifth] chord can be used as a passing chord to a minor chord that is a fourth above (or fifth below) its root. For example, the G# dominant seventh [flat ninth, flat fifth] chord:
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=Gs,,A,C,D,Fs,&color=9966FF&size=2\")
\n…can be used as a passing chord to a minor chord that’s a fifth below its root. A fifth below G#:
\n
\n…is C#:
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=Cs,,,&color=9966FF&size=2\")
\nConsequently, the G# dominant seventh [flat ninth, flat fifth] chord:
\n
\n…resolves to any C# minor chord, which may include any of the following:<\/p>\n
C# minor triad:
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=Cs,,E,Gs,Cs,&color=9966FF&size=2\")
\nC# minor seventh:
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=Cs,,E,Gs,B,,&color=9966FF&size=2\")
\nC# minor ninth:
\n![](\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=Cs,,E,Gs,B,Ds,&color=9966FF&size=2\")
\nFollowing the same procedure, any dominant seventh [flat ninth, flat fifth] chord can be applied.<\/p>\n","protected":false},"excerpt":{"rendered":"
There are passing chord types that are designed to precede minor chords in chord progressions and we’ll be learning a few of them like: The dominant seventh [flat ninth] chord The dominant seventh [flat ninth, sharp fifth] chord The dominant seventh [sharp ninth, sharp fifth] chord The dominant seventh [flat ninth, flat fifth] chord Let’s […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23,25,26,28,48],"tags":[67,69,140],"class_list":["post-1026","post","type-post","status-publish","format-standard","hentry","category-blog","category-chords-and-progressions","category-experienced-players","category-videos","category-theory","tag-advanced-chord-voicings","tag-advanced-voicings","tag-passing-chords"],"yoast_head":"\n
Who Else Is Interested In Learning Passing Chords To Minor Chords? - Gospel Music Training Center<\/title>\n<meta name=\"description\" content=\"If you're interested in learning how to connect minor chords using passing chords, then this lesson is for you.\" \/>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"Who Else Is Interested In Learning Passing Chords To Minor Chords? - Gospel Music Training Center\" \/>\n<meta name=\"twitter:description\" content=\"If you're interested in learning how to connect minor chords using passing chords, then this lesson is for you.\" \/>\n<meta name=\"twitter:image\" content=\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=,,C,E,G,Bb,Db,&color=9966FF&size=2\" \/>\n<meta name=\"twitter:creator\" content=\"@realhearandplay\" \/>\n<meta name=\"twitter:site\" content=\"@realhearandplay\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Chuku Onyemachi\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/gospelhap.wpenginepowered.com\\\/else-interested-learning-passing-chords-minor-chords\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/gospelhap.wpenginepowered.com\\\/else-interested-learning-passing-chords-minor-chords\\\/\"},\"author\":{\"name\":\"Chuku Onyemachi\",\"@id\":\"https:\\\/\\\/gospelhap.wpenginepowered.com\\\/#\\\/schema\\\/person\\\/f7254a1ec032bd45c016d913a3164efc\"},\"headline\":\"Who Else Is Interested In Learning Passing Chords To Minor Chords?\",\"datePublished\":\"2017-06-29T08:00:00+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/gospelhap.wpenginepowered.com\\\/else-interested-learning-passing-chords-minor-chords\\\/\"},\"wordCount\":1269,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/gospelhap.wpenginepowered.com\\\/else-interested-learning-passing-chords-minor-chords\\\/#primaryimage\"},\"thumbnailUrl\":\"http:\\\/\\\/www.hearandplaymusic.com\\\/dynamic_image\\\/pianokeys.php?notes=,,C,E,G,Bb,Db,&color=9966FF&size=2\",\"keywords\":[\"advanced chord voicings\",\"advanced voicings\",\"passing chords\"],\"articleSection\":[\"Blog\",\"Chords and Progressions\",\"Experienced Players\",\"Free Videos\",\"Theory\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/gospelhap.wpenginepowered.com\\\/else-interested-learning-passing-chords-minor-chords\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/gospelhap.wpenginepowered.com\\\/else-interested-learning-passing-chords-minor-chords\\\/\",\"url\":\"https:\\\/\\\/gospelhap.wpenginepowered.com\\\/else-interested-learning-passing-chords-minor-chords\\\/\",\"name\":\"Who Else Is Interested In Learning Passing Chords To Minor Chords? 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\n
\n“Analysis Of The Voicing…”<\/em><\/h3>\n
The dominant seventh [flat ninth] chord can be voiced by playing a diminished seventh chord a whole step below a given root note.<\/p>\n
The F# dominant seventh [flat ninth] chord can be voiced by playing a diminished seventh chord that is a whole step below the root note (F#):
\n
\n….(which is the E diminished seventh chord):
\n
\nThe E diminished seventh chord:
\n
\n…over F# (on the bass):
\n
\n…produces the F# dominant seventh [flat ninth] chord:
\n
\n“Application Of The Dominant Seventh [Flat Ninth] Chord…”<\/em><\/h3>\nThe dominant seventh [flat ninth] chord can easily be applied as a passing chord to a minor chord that is a fourth above (or a fifth below) its root.<\/p>\n
The B dominant seventh [flat ninth] chord:
\n
\n…can be applied as a passing chord to a minor chord that’s a fourth above (or a fifth below) its root.<\/p>\n
A fifth below B:
\n
\n…is E:
\n
\nTherefore, the B dominant seventh [flat ninth] chord:
\n
\n…can be applied as a passing chord to E minor chords like the E minor triad:
\n
\n…E minor seventh chord:
\n
\n…E minor ninth chord:
\n
\n…etc.<\/p>\n
“Check Out All The Dominant Seventh [Flat Ninth] Chords On The Keyboard…”<\/em><\/h3>\nC dominant seventh [flat ninth] chord:
\n
\nDb dominant seventh [flat ninth] chord:
\n
\nD dominant seventh [flat ninth] chord:
\n
\nEb dominant seventh [flat ninth] chord:
\n
\nE dominant seventh [flat ninth] chord:
\n
\nF dominant seventh [flat ninth] chord:
\n
\nF# dominant seventh [flat ninth] chord:
\n
\nG dominant seventh [flat ninth] chord:
\n
\nAb dominant seventh [flat ninth] chord:
\n
\nA dominant seventh [flat ninth] chord:
\n
\nBb dominant seventh [flat ninth] chord:
\n
\nB dominant seventh [flat ninth] chord:
\n<\/p>\n
Dominant Seventh [Flat Ninth, Sharp Fifth] Chord<\/h2>\nHere’s another essential passing chord that precedes minor chords in chord progressions: the dominant seventh [flat ninth, sharp fifth] chord.
\n\n <\/div>\n <\/div>\nA classic example of the dominant seventh [flat ninth, sharp fifth] chord is the C dominant seventh [flat ninth, sharp fifth] chord:
\n
\n…which can be voiced<\/em> using the Bb half-diminished seventh chord:
\n
\nPlaying the Bb half-diminished seventh chord:
\n
\n…over C (on the bass):
\n
\n…produces the C dominant seventh [flat ninth, sharp fifth] chord:
\n
\n“Analysis Of The Voicing…”<\/em><\/h3>\nThe dominant seventh [flat ninth, sharp fifth] chord can be voiced by playing a half-diminished seventh chord a whole step below a given root note.<\/p>\n
For example, the Eb dominant seventh [flat ninth, sharp fifth] chord can be voiced by playing a half-diminished seventh chord that’s a whole step below the root (Eb):
\n
\n….(which is the C# half-diminished seventh chord):
\n
\nThe C# half-diminished seventh chord:
\n
\n…over Eb (on the bass):
\n
\n…produces the Eb dominant seventh [flat ninth, sharp fifth] chord:
\n
\n“Application Of The Dominant Seventh [Flat Ninth, Sharp Fifth] Chord…”<\/em><\/h3>\nThe dominant seventh [flat ninth, sharp fifth] chord can be used as a passing chord to a minor chord that is a fourth above (or fifth below) its root. For example, the G dominant seventh [flat ninth, sharp fifth] chord:
\n
\n…can be used as a passing chord to a minor chord that’s a fifth below its root. A fifth below G:
\n
\n…is C:
\n
\nConsequently, the G dominant seventh [flat ninth, sharp fifth] chord:
\n
\n…resolves to any C minor chord, which may include any of the following:<\/p>\n
C minor triad:
\n
\nC minor seventh:
\n
\nC minor ninth:
\n
\nFollowing the same procedure, any dominant seventh [flat ninth, sharp fifth] chord can be applied.
\n<\/div>\n <\/div>\n
Dominant Seventh [Sharp Ninth, Sharp Fifth] Chord<\/h2>\n
The dominant seventh [sharp ninth, sharp fifth] chord is arguably the most preferred passing chord type that precedes minor chords.<\/p>\n
A classic example of the dominant seventh [sharp ninth, sharp fifth] chord is the C dominant seventh [sharp ninth, sharp fifth] chord:
\n
\n…which can be voiced<\/em> using the Bb seventh [suspended fourth, suspended sharp fourth] chord:
\n
\nPlaying the Bb seventh [suspended fourth, suspended sharp fourth] chord:
\n
\n…over C (on the bass):
\n
\n…produces the C dominant seventh [sharp ninth, sharp fifth] chord:
\n
\n“Analysis Of The Voicing…”<\/em><\/h3>\nThe dominant seventh [sharp ninth, sharp fifth] chord can be voiced by playing a seventh [suspended fourth, suspended sharp fourth] chord a whole step below a given root note.<\/p>\n
For example, the G# dominant thirteenth [sharp eleventh] chord can be voiced by playing a seventh [suspended fourth, suspended sharp fourth] chord that’s a whole step below the root (G#):
\n
\n….(which is the F# seventh [suspended fourth, suspended sharp fourth] chord):
\n
\nThe F# seventh [suspended fourth, suspended sharp fourth] chord:
\n
\n…over G# (on the bass):
\n
\n…produces the G# dominant seventh [sharp ninth, sharp fifth] chord:
\n
\n“Application Of The Dominant Seventh [Sharp Ninth, Sharp Fifth] Chord…”<\/em><\/h3>\nThe dominant seventh [flat ninth, sharp fifth] chord can be used as a passing chord to a minor chord that is a fourth above (or fifth below) its root. For example, the D dominant seventh [sharp ninth, sharp fifth] chord:
\n
\n…can be used as a passing chord to a minor chord that’s a fourth above its root. A fourth above D:
\n
\n…is G:
\n
\nConsequently, the D dominant seventh [sharp ninth, sharp fifth] chord:
\n
\n…resolves to any G minor chord, which may include any of the following:<\/p>\n
G minor triad:
\n
\nG minor seventh:
\n
\nG minor ninth:
\n
\nFollowing the same procedure, any dominant seventh [sharp ninth, sharp fifth] chord can be applied.<\/p>\n
Dominant Seventh [Flat Ninth, Flat Fifth] Chord<\/h2>\n
The list of essential passing chords is not complete without the dominant seventh [flat ninth, flat fifth] chord.<\/p>\n
A classic example of the dominant seventh [flat ninth, sharp fifth] chord is the C dominant seventh [flat ninth, flat fifth] chord:
\n
\n…which can be voiced<\/em> using the Gb dominant seventh chord (in second inversion):
\n
\nPlaying the Gb dominant seventh chord:
\n
\n…over C (on the bass):
\n
\n…produces the C dominant seventh [flat ninth, flat fifth] chord:
\n
\n“Analysis Of The Voicing…”<\/em><\/h3>\nThe dominant seventh [flat ninth, flat fifth] chord can be voiced by playing a dominant seventh chord a tritone below a given root note.<\/p>\n
For example, the B dominant seventh [flat ninth, flat fifth] chord can be voiced by playing a dominant seventh chord that’s a tritone below the root (B):
\n
\n….(which is the F dominant seventh chord):
\n
\nThe F dominant seventh chord (in second inversion):
\n
\n…over B (on the bass):
\n
\n…produces the B dominant seventh [flat ninth, flat fifth] chord:
\n
\n“Application Of The Dominant Seventh [Flat Ninth, Flat Fifth] Chord…”<\/em><\/h3>\nThe dominant seventh [flat ninth, flat fifth] chord can be used as a passing chord to a minor chord that is a fourth above (or fifth below) its root. For example, the G# dominant seventh [flat ninth, flat fifth] chord:
\n
\n…can be used as a passing chord to a minor chord that’s a fifth below its root. A fifth below G#:
\n
\n…is C#:
\n
\nConsequently, the G# dominant seventh [flat ninth, flat fifth] chord:
\n
\n…resolves to any C# minor chord, which may include any of the following:<\/p>\n
C# minor triad:
\n
\nC# minor seventh:
\n
\nC# minor ninth:
\n
\nFollowing the same procedure, any dominant seventh [flat ninth, flat fifth] chord can be applied.<\/p>\n","protected":false},"excerpt":{"rendered":"
There are passing chord types that are designed to precede minor chords in chord progressions and we’ll be learning a few of them like: The dominant seventh [flat ninth] chord The dominant seventh [flat ninth, sharp fifth] chord The dominant seventh [sharp ninth, sharp fifth] chord The dominant seventh [flat ninth, flat fifth] chord Let’s […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23,25,26,28,48],"tags":[67,69,140],"class_list":["post-1026","post","type-post","status-publish","format-standard","hentry","category-blog","category-chords-and-progressions","category-experienced-players","category-videos","category-theory","tag-advanced-chord-voicings","tag-advanced-voicings","tag-passing-chords"],"yoast_head":"\n
Who Else Is Interested In Learning Passing Chords To Minor Chords? - Gospel Music Training Center<\/title>\n<meta name=\"description\" content=\"If you're interested in learning how to connect minor chords using passing chords, then this lesson is for you.\" \/>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"Who Else Is Interested In Learning Passing Chords To Minor Chords? - Gospel Music Training Center\" \/>\n<meta name=\"twitter:description\" content=\"If you're interested in learning how to connect minor chords using passing chords, then this lesson is for you.\" \/>\n<meta name=\"twitter:image\" content=\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=,,C,E,G,Bb,Db,&color=9966FF&size=2\" \/>\n<meta name=\"twitter:creator\" content=\"@realhearandplay\" \/>\n<meta name=\"twitter:site\" content=\"@realhearandplay\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Chuku Onyemachi\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/gospelhap.wpenginepowered.com\\\/else-interested-learning-passing-chords-minor-chords\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/gospelhap.wpenginepowered.com\\\/else-interested-learning-passing-chords-minor-chords\\\/\"},\"author\":{\"name\":\"Chuku Onyemachi\",\"@id\":\"https:\\\/\\\/gospelhap.wpenginepowered.com\\\/#\\\/schema\\\/person\\\/f7254a1ec032bd45c016d913a3164efc\"},\"headline\":\"Who Else Is Interested In Learning Passing Chords To Minor Chords?\",\"datePublished\":\"2017-06-29T08:00:00+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/gospelhap.wpenginepowered.com\\\/else-interested-learning-passing-chords-minor-chords\\\/\"},\"wordCount\":1269,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/gospelhap.wpenginepowered.com\\\/else-interested-learning-passing-chords-minor-chords\\\/#primaryimage\"},\"thumbnailUrl\":\"http:\\\/\\\/www.hearandplaymusic.com\\\/dynamic_image\\\/pianokeys.php?notes=,,C,E,G,Bb,Db,&color=9966FF&size=2\",\"keywords\":[\"advanced chord voicings\",\"advanced voicings\",\"passing chords\"],\"articleSection\":[\"Blog\",\"Chords and Progressions\",\"Experienced Players\",\"Free Videos\",\"Theory\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/gospelhap.wpenginepowered.com\\\/else-interested-learning-passing-chords-minor-chords\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/gospelhap.wpenginepowered.com\\\/else-interested-learning-passing-chords-minor-chords\\\/\",\"url\":\"https:\\\/\\\/gospelhap.wpenginepowered.com\\\/else-interested-learning-passing-chords-minor-chords\\\/\",\"name\":\"Who Else Is Interested In Learning Passing Chords To Minor Chords? 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\n
\n…can be applied as a passing chord to a minor chord that’s a fourth above (or a fifth below) its root.<\/p>\n
\n
\n…is E:
\n
\nTherefore, the B dominant seventh [flat ninth] chord:
\n
\n…can be applied as a passing chord to E minor chords like the E minor triad:
\n
\n…E minor seventh chord:
\n
\n…E minor ninth chord:
\n
\n…etc.<\/p>\n
C dominant seventh [flat ninth] chord:
\n
\nDb dominant seventh [flat ninth] chord:
\n
\nD dominant seventh [flat ninth] chord:
\n
\nEb dominant seventh [flat ninth] chord:
\n
\nE dominant seventh [flat ninth] chord:
\n
\nF dominant seventh [flat ninth] chord:
\n
\nF# dominant seventh [flat ninth] chord:
\n
\nG dominant seventh [flat ninth] chord:
\n
\nAb dominant seventh [flat ninth] chord:
\n
\nA dominant seventh [flat ninth] chord:
\n
\nBb dominant seventh [flat ninth] chord:
\n
\nB dominant seventh [flat ninth] chord:
\n<\/p>\n
Dominant Seventh [Flat Ninth, Sharp Fifth] Chord<\/h2>\nHere’s another essential passing chord that precedes minor chords in chord progressions: the dominant seventh [flat ninth, sharp fifth] chord.
\n\n <\/div>\n <\/div>\nA classic example of the dominant seventh [flat ninth, sharp fifth] chord is the C dominant seventh [flat ninth, sharp fifth] chord:
\n
\n…which can be voiced<\/em> using the Bb half-diminished seventh chord:
\n
\nPlaying the Bb half-diminished seventh chord:
\n
\n…over C (on the bass):
\n
\n…produces the C dominant seventh [flat ninth, sharp fifth] chord:
\n
\n“Analysis Of The Voicing…”<\/em><\/h3>\nThe dominant seventh [flat ninth, sharp fifth] chord can be voiced by playing a half-diminished seventh chord a whole step below a given root note.<\/p>\n
For example, the Eb dominant seventh [flat ninth, sharp fifth] chord can be voiced by playing a half-diminished seventh chord that’s a whole step below the root (Eb):
\n
\n….(which is the C# half-diminished seventh chord):
\n
\nThe C# half-diminished seventh chord:
\n
\n…over Eb (on the bass):
\n
\n…produces the Eb dominant seventh [flat ninth, sharp fifth] chord:
\n
\n“Application Of The Dominant Seventh [Flat Ninth, Sharp Fifth] Chord…”<\/em><\/h3>\nThe dominant seventh [flat ninth, sharp fifth] chord can be used as a passing chord to a minor chord that is a fourth above (or fifth below) its root. For example, the G dominant seventh [flat ninth, sharp fifth] chord:
\n
\n…can be used as a passing chord to a minor chord that’s a fifth below its root. A fifth below G:
\n
\n…is C:
\n
\nConsequently, the G dominant seventh [flat ninth, sharp fifth] chord:
\n
\n…resolves to any C minor chord, which may include any of the following:<\/p>\n
C minor triad:
\n
\nC minor seventh:
\n
\nC minor ninth:
\n
\nFollowing the same procedure, any dominant seventh [flat ninth, sharp fifth] chord can be applied.
\n<\/div>\n <\/div>\n
Dominant Seventh [Sharp Ninth, Sharp Fifth] Chord<\/h2>\n
The dominant seventh [sharp ninth, sharp fifth] chord is arguably the most preferred passing chord type that precedes minor chords.<\/p>\n
A classic example of the dominant seventh [sharp ninth, sharp fifth] chord is the C dominant seventh [sharp ninth, sharp fifth] chord:
\n
\n…which can be voiced<\/em> using the Bb seventh [suspended fourth, suspended sharp fourth] chord:
\n
\nPlaying the Bb seventh [suspended fourth, suspended sharp fourth] chord:
\n
\n…over C (on the bass):
\n
\n…produces the C dominant seventh [sharp ninth, sharp fifth] chord:
\n
\n“Analysis Of The Voicing…”<\/em><\/h3>\nThe dominant seventh [sharp ninth, sharp fifth] chord can be voiced by playing a seventh [suspended fourth, suspended sharp fourth] chord a whole step below a given root note.<\/p>\n
For example, the G# dominant thirteenth [sharp eleventh] chord can be voiced by playing a seventh [suspended fourth, suspended sharp fourth] chord that’s a whole step below the root (G#):
\n
\n….(which is the F# seventh [suspended fourth, suspended sharp fourth] chord):
\n
\nThe F# seventh [suspended fourth, suspended sharp fourth] chord:
\n
\n…over G# (on the bass):
\n
\n…produces the G# dominant seventh [sharp ninth, sharp fifth] chord:
\n
\n“Application Of The Dominant Seventh [Sharp Ninth, Sharp Fifth] Chord…”<\/em><\/h3>\nThe dominant seventh [flat ninth, sharp fifth] chord can be used as a passing chord to a minor chord that is a fourth above (or fifth below) its root. For example, the D dominant seventh [sharp ninth, sharp fifth] chord:
\n
\n…can be used as a passing chord to a minor chord that’s a fourth above its root. A fourth above D:
\n
\n…is G:
\n
\nConsequently, the D dominant seventh [sharp ninth, sharp fifth] chord:
\n
\n…resolves to any G minor chord, which may include any of the following:<\/p>\n
G minor triad:
\n
\nG minor seventh:
\n
\nG minor ninth:
\n
\nFollowing the same procedure, any dominant seventh [sharp ninth, sharp fifth] chord can be applied.<\/p>\n
Dominant Seventh [Flat Ninth, Flat Fifth] Chord<\/h2>\n
The list of essential passing chords is not complete without the dominant seventh [flat ninth, flat fifth] chord.<\/p>\n
A classic example of the dominant seventh [flat ninth, sharp fifth] chord is the C dominant seventh [flat ninth, flat fifth] chord:
\n
\n…which can be voiced<\/em> using the Gb dominant seventh chord (in second inversion):
\n
\nPlaying the Gb dominant seventh chord:
\n
\n…over C (on the bass):
\n
\n…produces the C dominant seventh [flat ninth, flat fifth] chord:
\n
\n“Analysis Of The Voicing…”<\/em><\/h3>\nThe dominant seventh [flat ninth, flat fifth] chord can be voiced by playing a dominant seventh chord a tritone below a given root note.<\/p>\n
For example, the B dominant seventh [flat ninth, flat fifth] chord can be voiced by playing a dominant seventh chord that’s a tritone below the root (B):
\n
\n….(which is the F dominant seventh chord):
\n
\nThe F dominant seventh chord (in second inversion):
\n
\n…over B (on the bass):
\n
\n…produces the B dominant seventh [flat ninth, flat fifth] chord:
\n
\n“Application Of The Dominant Seventh [Flat Ninth, Flat Fifth] Chord…”<\/em><\/h3>\nThe dominant seventh [flat ninth, flat fifth] chord can be used as a passing chord to a minor chord that is a fourth above (or fifth below) its root. For example, the G# dominant seventh [flat ninth, flat fifth] chord:
\n
\n…can be used as a passing chord to a minor chord that’s a fifth below its root. A fifth below G#:
\n
\n…is C#:
\n
\nConsequently, the G# dominant seventh [flat ninth, flat fifth] chord:
\n
\n…resolves to any C# minor chord, which may include any of the following:<\/p>\n
C# minor triad:
\n
\nC# minor seventh:
\n
\nC# minor ninth:
\n
\nFollowing the same procedure, any dominant seventh [flat ninth, flat fifth] chord can be applied.<\/p>\n","protected":false},"excerpt":{"rendered":"
There are passing chord types that are designed to precede minor chords in chord progressions and we’ll be learning a few of them like: The dominant seventh [flat ninth] chord The dominant seventh [flat ninth, sharp fifth] chord The dominant seventh [sharp ninth, sharp fifth] chord The dominant seventh [flat ninth, flat fifth] chord Let’s […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23,25,26,28,48],"tags":[67,69,140],"class_list":["post-1026","post","type-post","status-publish","format-standard","hentry","category-blog","category-chords-and-progressions","category-experienced-players","category-videos","category-theory","tag-advanced-chord-voicings","tag-advanced-voicings","tag-passing-chords"],"yoast_head":"\n
Who Else Is Interested In Learning Passing Chords To Minor Chords? - Gospel Music Training Center<\/title>\n<meta name=\"description\" content=\"If you're interested in learning how to connect minor chords using passing chords, then this lesson is for you.\" \/>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"Who Else Is Interested In Learning Passing Chords To Minor Chords? - Gospel Music Training Center\" \/>\n<meta name=\"twitter:description\" content=\"If you're interested in learning how to connect minor chords using passing chords, then this lesson is for you.\" \/>\n<meta name=\"twitter:image\" content=\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=,,C,E,G,Bb,Db,&color=9966FF&size=2\" \/>\n<meta name=\"twitter:creator\" content=\"@realhearandplay\" \/>\n<meta name=\"twitter:site\" content=\"@realhearandplay\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Chuku Onyemachi\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/gospelhap.wpenginepowered.com\\\/else-interested-learning-passing-chords-minor-chords\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/gospelhap.wpenginepowered.com\\\/else-interested-learning-passing-chords-minor-chords\\\/\"},\"author\":{\"name\":\"Chuku Onyemachi\",\"@id\":\"https:\\\/\\\/gospelhap.wpenginepowered.com\\\/#\\\/schema\\\/person\\\/f7254a1ec032bd45c016d913a3164efc\"},\"headline\":\"Who Else Is Interested In Learning Passing Chords To Minor Chords?\",\"datePublished\":\"2017-06-29T08:00:00+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/gospelhap.wpenginepowered.com\\\/else-interested-learning-passing-chords-minor-chords\\\/\"},\"wordCount\":1269,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/gospelhap.wpenginepowered.com\\\/else-interested-learning-passing-chords-minor-chords\\\/#primaryimage\"},\"thumbnailUrl\":\"http:\\\/\\\/www.hearandplaymusic.com\\\/dynamic_image\\\/pianokeys.php?notes=,,C,E,G,Bb,Db,&color=9966FF&size=2\",\"keywords\":[\"advanced chord voicings\",\"advanced voicings\",\"passing chords\"],\"articleSection\":[\"Blog\",\"Chords and Progressions\",\"Experienced Players\",\"Free Videos\",\"Theory\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/gospelhap.wpenginepowered.com\\\/else-interested-learning-passing-chords-minor-chords\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/gospelhap.wpenginepowered.com\\\/else-interested-learning-passing-chords-minor-chords\\\/\",\"url\":\"https:\\\/\\\/gospelhap.wpenginepowered.com\\\/else-interested-learning-passing-chords-minor-chords\\\/\",\"name\":\"Who Else Is Interested In Learning Passing Chords To Minor Chords? 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\n
\n
\n…which can be voiced<\/em> using the Bb half-diminished seventh chord:
\n
\nPlaying the Bb half-diminished seventh chord:
\n
\n…over C (on the bass):
\n
\n…produces the C dominant seventh [flat ninth, sharp fifth] chord:
\n
\n“Analysis Of The Voicing…”<\/em><\/h3>\n
The dominant seventh [flat ninth, sharp fifth] chord can be voiced by playing a half-diminished seventh chord a whole step below a given root note.<\/p>\n
For example, the Eb dominant seventh [flat ninth, sharp fifth] chord can be voiced by playing a half-diminished seventh chord that’s a whole step below the root (Eb):
\n
\n….(which is the C# half-diminished seventh chord):
\n
\nThe C# half-diminished seventh chord:
\n
\n…over Eb (on the bass):
\n
\n…produces the Eb dominant seventh [flat ninth, sharp fifth] chord:
\n
\n“Application Of The Dominant Seventh [Flat Ninth, Sharp Fifth] Chord…”<\/em><\/h3>\nThe dominant seventh [flat ninth, sharp fifth] chord can be used as a passing chord to a minor chord that is a fourth above (or fifth below) its root. For example, the G dominant seventh [flat ninth, sharp fifth] chord:
\n
\n…can be used as a passing chord to a minor chord that’s a fifth below its root. A fifth below G:
\n
\n…is C:
\n
\nConsequently, the G dominant seventh [flat ninth, sharp fifth] chord:
\n
\n…resolves to any C minor chord, which may include any of the following:<\/p>\n
C minor triad:
\n
\nC minor seventh:
\n
\nC minor ninth:
\n
\nFollowing the same procedure, any dominant seventh [flat ninth, sharp fifth] chord can be applied.
\n<\/div>\n <\/div>\n
Dominant Seventh [Sharp Ninth, Sharp Fifth] Chord<\/h2>\n
The dominant seventh [sharp ninth, sharp fifth] chord is arguably the most preferred passing chord type that precedes minor chords.<\/p>\n
A classic example of the dominant seventh [sharp ninth, sharp fifth] chord is the C dominant seventh [sharp ninth, sharp fifth] chord:
\n
\n…which can be voiced<\/em> using the Bb seventh [suspended fourth, suspended sharp fourth] chord:
\n
\nPlaying the Bb seventh [suspended fourth, suspended sharp fourth] chord:
\n
\n…over C (on the bass):
\n
\n…produces the C dominant seventh [sharp ninth, sharp fifth] chord:
\n
\n“Analysis Of The Voicing…”<\/em><\/h3>\nThe dominant seventh [sharp ninth, sharp fifth] chord can be voiced by playing a seventh [suspended fourth, suspended sharp fourth] chord a whole step below a given root note.<\/p>\n
For example, the G# dominant thirteenth [sharp eleventh] chord can be voiced by playing a seventh [suspended fourth, suspended sharp fourth] chord that’s a whole step below the root (G#):
\n
\n….(which is the F# seventh [suspended fourth, suspended sharp fourth] chord):
\n
\nThe F# seventh [suspended fourth, suspended sharp fourth] chord:
\n
\n…over G# (on the bass):
\n
\n…produces the G# dominant seventh [sharp ninth, sharp fifth] chord:
\n
\n“Application Of The Dominant Seventh [Sharp Ninth, Sharp Fifth] Chord…”<\/em><\/h3>\nThe dominant seventh [flat ninth, sharp fifth] chord can be used as a passing chord to a minor chord that is a fourth above (or fifth below) its root. For example, the D dominant seventh [sharp ninth, sharp fifth] chord:
\n
\n…can be used as a passing chord to a minor chord that’s a fourth above its root. A fourth above D:
\n
\n…is G:
\n
\nConsequently, the D dominant seventh [sharp ninth, sharp fifth] chord:
\n
\n…resolves to any G minor chord, which may include any of the following:<\/p>\n
G minor triad:
\n
\nG minor seventh:
\n
\nG minor ninth:
\n
\nFollowing the same procedure, any dominant seventh [sharp ninth, sharp fifth] chord can be applied.<\/p>\n
Dominant Seventh [Flat Ninth, Flat Fifth] Chord<\/h2>\n
The list of essential passing chords is not complete without the dominant seventh [flat ninth, flat fifth] chord.<\/p>\n
A classic example of the dominant seventh [flat ninth, sharp fifth] chord is the C dominant seventh [flat ninth, flat fifth] chord:
\n
\n…which can be voiced<\/em> using the Gb dominant seventh chord (in second inversion):
\n
\nPlaying the Gb dominant seventh chord:
\n
\n…over C (on the bass):
\n
\n…produces the C dominant seventh [flat ninth, flat fifth] chord:
\n
\n“Analysis Of The Voicing…”<\/em><\/h3>\nThe dominant seventh [flat ninth, flat fifth] chord can be voiced by playing a dominant seventh chord a tritone below a given root note.<\/p>\n
For example, the B dominant seventh [flat ninth, flat fifth] chord can be voiced by playing a dominant seventh chord that’s a tritone below the root (B):
\n
\n….(which is the F dominant seventh chord):
\n
\nThe F dominant seventh chord (in second inversion):
\n
\n…over B (on the bass):
\n
\n…produces the B dominant seventh [flat ninth, flat fifth] chord:
\n
\n“Application Of The Dominant Seventh [Flat Ninth, Flat Fifth] Chord…”<\/em><\/h3>\nThe dominant seventh [flat ninth, flat fifth] chord can be used as a passing chord to a minor chord that is a fourth above (or fifth below) its root. For example, the G# dominant seventh [flat ninth, flat fifth] chord:
\n
\n…can be used as a passing chord to a minor chord that’s a fifth below its root. A fifth below G#:
\n
\n…is C#:
\n
\nConsequently, the G# dominant seventh [flat ninth, flat fifth] chord:
\n
\n…resolves to any C# minor chord, which may include any of the following:<\/p>\n
C# minor triad:
\n
\nC# minor seventh:
\n
\nC# minor ninth:
\n
\nFollowing the same procedure, any dominant seventh [flat ninth, flat fifth] chord can be applied.<\/p>\n","protected":false},"excerpt":{"rendered":"
There are passing chord types that are designed to precede minor chords in chord progressions and we’ll be learning a few of them like: The dominant seventh [flat ninth] chord The dominant seventh [flat ninth, sharp fifth] chord The dominant seventh [sharp ninth, sharp fifth] chord The dominant seventh [flat ninth, flat fifth] chord Let’s […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23,25,26,28,48],"tags":[67,69,140],"class_list":["post-1026","post","type-post","status-publish","format-standard","hentry","category-blog","category-chords-and-progressions","category-experienced-players","category-videos","category-theory","tag-advanced-chord-voicings","tag-advanced-voicings","tag-passing-chords"],"yoast_head":"\n
Who Else Is Interested In Learning Passing Chords To Minor Chords? - Gospel Music Training Center<\/title>\n<meta name=\"description\" content=\"If you're interested in learning how to connect minor chords using passing chords, then this lesson is for you.\" \/>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"Who Else Is Interested In Learning Passing Chords To Minor Chords? - Gospel Music Training Center\" \/>\n<meta name=\"twitter:description\" content=\"If you're interested in learning how to connect minor chords using passing chords, then this lesson is for you.\" \/>\n<meta name=\"twitter:image\" content=\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=,,C,E,G,Bb,Db,&color=9966FF&size=2\" \/>\n<meta name=\"twitter:creator\" content=\"@realhearandplay\" \/>\n<meta name=\"twitter:site\" content=\"@realhearandplay\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Chuku Onyemachi\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/gospelhap.wpenginepowered.com\\\/else-interested-learning-passing-chords-minor-chords\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/gospelhap.wpenginepowered.com\\\/else-interested-learning-passing-chords-minor-chords\\\/\"},\"author\":{\"name\":\"Chuku Onyemachi\",\"@id\":\"https:\\\/\\\/gospelhap.wpenginepowered.com\\\/#\\\/schema\\\/person\\\/f7254a1ec032bd45c016d913a3164efc\"},\"headline\":\"Who Else Is Interested In Learning Passing Chords To Minor Chords?\",\"datePublished\":\"2017-06-29T08:00:00+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/gospelhap.wpenginepowered.com\\\/else-interested-learning-passing-chords-minor-chords\\\/\"},\"wordCount\":1269,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/gospelhap.wpenginepowered.com\\\/else-interested-learning-passing-chords-minor-chords\\\/#primaryimage\"},\"thumbnailUrl\":\"http:\\\/\\\/www.hearandplaymusic.com\\\/dynamic_image\\\/pianokeys.php?notes=,,C,E,G,Bb,Db,&color=9966FF&size=2\",\"keywords\":[\"advanced chord voicings\",\"advanced voicings\",\"passing chords\"],\"articleSection\":[\"Blog\",\"Chords and Progressions\",\"Experienced Players\",\"Free Videos\",\"Theory\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/gospelhap.wpenginepowered.com\\\/else-interested-learning-passing-chords-minor-chords\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/gospelhap.wpenginepowered.com\\\/else-interested-learning-passing-chords-minor-chords\\\/\",\"url\":\"https:\\\/\\\/gospelhap.wpenginepowered.com\\\/else-interested-learning-passing-chords-minor-chords\\\/\",\"name\":\"Who Else Is Interested In Learning Passing Chords To Minor Chords? 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\n
\n…can be used as a passing chord to a minor chord that’s a fifth below its root. A fifth below G:
\n
\n…is C:
\n
\nConsequently, the G dominant seventh [flat ninth, sharp fifth] chord:
\n
\n…resolves to any C minor chord, which may include any of the following:<\/p>\n
\n
\nC minor seventh:
\n
\nC minor ninth:
\n
\nFollowing the same procedure, any dominant seventh [flat ninth, sharp fifth] chord can be applied.
\n<\/div>\n <\/div>\n
\n
\n…which can be voiced<\/em> using the Bb seventh [suspended fourth, suspended sharp fourth] chord:
\n
\nPlaying the Bb seventh [suspended fourth, suspended sharp fourth] chord:
\n
\n…over C (on the bass):
\n
\n…produces the C dominant seventh [sharp ninth, sharp fifth] chord:
\n
\n“Analysis Of The Voicing…”<\/em><\/h3>\n
The dominant seventh [sharp ninth, sharp fifth] chord can be voiced by playing a seventh [suspended fourth, suspended sharp fourth] chord a whole step below a given root note.<\/p>\n
For example, the G# dominant thirteenth [sharp eleventh] chord can be voiced by playing a seventh [suspended fourth, suspended sharp fourth] chord that’s a whole step below the root (G#):
\n
\n….(which is the F# seventh [suspended fourth, suspended sharp fourth] chord):
\n
\nThe F# seventh [suspended fourth, suspended sharp fourth] chord:
\n
\n…over G# (on the bass):
\n
\n…produces the G# dominant seventh [sharp ninth, sharp fifth] chord:
\n
\n“Application Of The Dominant Seventh [Sharp Ninth, Sharp Fifth] Chord…”<\/em><\/h3>\nThe dominant seventh [flat ninth, sharp fifth] chord can be used as a passing chord to a minor chord that is a fourth above (or fifth below) its root. For example, the D dominant seventh [sharp ninth, sharp fifth] chord:
\n
\n…can be used as a passing chord to a minor chord that’s a fourth above its root. A fourth above D:
\n
\n…is G:
\n
\nConsequently, the D dominant seventh [sharp ninth, sharp fifth] chord:
\n
\n…resolves to any G minor chord, which may include any of the following:<\/p>\n
G minor triad:
\n
\nG minor seventh:
\n
\nG minor ninth:
\n
\nFollowing the same procedure, any dominant seventh [sharp ninth, sharp fifth] chord can be applied.<\/p>\n
Dominant Seventh [Flat Ninth, Flat Fifth] Chord<\/h2>\n
The list of essential passing chords is not complete without the dominant seventh [flat ninth, flat fifth] chord.<\/p>\n
A classic example of the dominant seventh [flat ninth, sharp fifth] chord is the C dominant seventh [flat ninth, flat fifth] chord:
\n
\n…which can be voiced<\/em> using the Gb dominant seventh chord (in second inversion):
\n
\nPlaying the Gb dominant seventh chord:
\n
\n…over C (on the bass):
\n
\n…produces the C dominant seventh [flat ninth, flat fifth] chord:
\n
\n“Analysis Of The Voicing…”<\/em><\/h3>\nThe dominant seventh [flat ninth, flat fifth] chord can be voiced by playing a dominant seventh chord a tritone below a given root note.<\/p>\n
For example, the B dominant seventh [flat ninth, flat fifth] chord can be voiced by playing a dominant seventh chord that’s a tritone below the root (B):
\n
\n….(which is the F dominant seventh chord):
\n
\nThe F dominant seventh chord (in second inversion):
\n
\n…over B (on the bass):
\n
\n…produces the B dominant seventh [flat ninth, flat fifth] chord:
\n
\n“Application Of The Dominant Seventh [Flat Ninth, Flat Fifth] Chord…”<\/em><\/h3>\nThe dominant seventh [flat ninth, flat fifth] chord can be used as a passing chord to a minor chord that is a fourth above (or fifth below) its root. For example, the G# dominant seventh [flat ninth, flat fifth] chord:
\n
\n…can be used as a passing chord to a minor chord that’s a fifth below its root. A fifth below G#:
\n
\n…is C#:
\n
\nConsequently, the G# dominant seventh [flat ninth, flat fifth] chord:
\n
\n…resolves to any C# minor chord, which may include any of the following:<\/p>\n
C# minor triad:
\n
\nC# minor seventh:
\n
\nC# minor ninth:
\n
\nFollowing the same procedure, any dominant seventh [flat ninth, flat fifth] chord can be applied.<\/p>\n","protected":false},"excerpt":{"rendered":"
There are passing chord types that are designed to precede minor chords in chord progressions and we’ll be learning a few of them like: The dominant seventh [flat ninth] chord The dominant seventh [flat ninth, sharp fifth] chord The dominant seventh [sharp ninth, sharp fifth] chord The dominant seventh [flat ninth, flat fifth] chord Let’s […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23,25,26,28,48],"tags":[67,69,140],"class_list":["post-1026","post","type-post","status-publish","format-standard","hentry","category-blog","category-chords-and-progressions","category-experienced-players","category-videos","category-theory","tag-advanced-chord-voicings","tag-advanced-voicings","tag-passing-chords"],"yoast_head":"\n
Who Else Is Interested In Learning Passing Chords To Minor Chords? - Gospel Music Training Center<\/title>\n<meta name=\"description\" content=\"If you're interested in learning how to connect minor chords using passing chords, then this lesson is for you.\" \/>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"Who Else Is Interested In Learning Passing Chords To Minor Chords? - Gospel Music Training Center\" \/>\n<meta name=\"twitter:description\" content=\"If you're interested in learning how to connect minor chords using passing chords, then this lesson is for you.\" \/>\n<meta name=\"twitter:image\" content=\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=,,C,E,G,Bb,Db,&color=9966FF&size=2\" \/>\n<meta name=\"twitter:creator\" content=\"@realhearandplay\" \/>\n<meta name=\"twitter:site\" content=\"@realhearandplay\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Chuku Onyemachi\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/gospelhap.wpenginepowered.com\\\/else-interested-learning-passing-chords-minor-chords\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/gospelhap.wpenginepowered.com\\\/else-interested-learning-passing-chords-minor-chords\\\/\"},\"author\":{\"name\":\"Chuku Onyemachi\",\"@id\":\"https:\\\/\\\/gospelhap.wpenginepowered.com\\\/#\\\/schema\\\/person\\\/f7254a1ec032bd45c016d913a3164efc\"},\"headline\":\"Who Else Is Interested In Learning Passing Chords To Minor Chords?\",\"datePublished\":\"2017-06-29T08:00:00+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/gospelhap.wpenginepowered.com\\\/else-interested-learning-passing-chords-minor-chords\\\/\"},\"wordCount\":1269,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/gospelhap.wpenginepowered.com\\\/else-interested-learning-passing-chords-minor-chords\\\/#primaryimage\"},\"thumbnailUrl\":\"http:\\\/\\\/www.hearandplaymusic.com\\\/dynamic_image\\\/pianokeys.php?notes=,,C,E,G,Bb,Db,&color=9966FF&size=2\",\"keywords\":[\"advanced chord voicings\",\"advanced voicings\",\"passing chords\"],\"articleSection\":[\"Blog\",\"Chords and Progressions\",\"Experienced Players\",\"Free Videos\",\"Theory\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/gospelhap.wpenginepowered.com\\\/else-interested-learning-passing-chords-minor-chords\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/gospelhap.wpenginepowered.com\\\/else-interested-learning-passing-chords-minor-chords\\\/\",\"url\":\"https:\\\/\\\/gospelhap.wpenginepowered.com\\\/else-interested-learning-passing-chords-minor-chords\\\/\",\"name\":\"Who Else Is Interested In Learning Passing Chords To Minor Chords? 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\n
\n…can be used as a passing chord to a minor chord that’s a fourth above its root. A fourth above D:
\n
\n…is G:
\n
\nConsequently, the D dominant seventh [sharp ninth, sharp fifth] chord:
\n
\n…resolves to any G minor chord, which may include any of the following:<\/p>\n
\n
\nG minor seventh:
\n
\nG minor ninth:
\n
\nFollowing the same procedure, any dominant seventh [sharp ninth, sharp fifth] chord can be applied.<\/p>\n
\n
\n…which can be voiced<\/em> using the Gb dominant seventh chord (in second inversion):
\n
\nPlaying the Gb dominant seventh chord:
\n
\n…over C (on the bass):
\n
\n…produces the C dominant seventh [flat ninth, flat fifth] chord:
\n
\n“Analysis Of The Voicing…”<\/em><\/h3>\n
The dominant seventh [flat ninth, flat fifth] chord can be voiced by playing a dominant seventh chord a tritone below a given root note.<\/p>\n
For example, the B dominant seventh [flat ninth, flat fifth] chord can be voiced by playing a dominant seventh chord that’s a tritone below the root (B):
\n
\n….(which is the F dominant seventh chord):
\n
\nThe F dominant seventh chord (in second inversion):
\n
\n…over B (on the bass):
\n
\n…produces the B dominant seventh [flat ninth, flat fifth] chord:
\n
\n“Application Of The Dominant Seventh [Flat Ninth, Flat Fifth] Chord…”<\/em><\/h3>\nThe dominant seventh [flat ninth, flat fifth] chord can be used as a passing chord to a minor chord that is a fourth above (or fifth below) its root. For example, the G# dominant seventh [flat ninth, flat fifth] chord:
\n
\n…can be used as a passing chord to a minor chord that’s a fifth below its root. A fifth below G#:
\n
\n…is C#:
\n
\nConsequently, the G# dominant seventh [flat ninth, flat fifth] chord:
\n
\n…resolves to any C# minor chord, which may include any of the following:<\/p>\n
C# minor triad:
\n
\nC# minor seventh:
\n
\nC# minor ninth:
\n
\nFollowing the same procedure, any dominant seventh [flat ninth, flat fifth] chord can be applied.<\/p>\n","protected":false},"excerpt":{"rendered":"
There are passing chord types that are designed to precede minor chords in chord progressions and we’ll be learning a few of them like: The dominant seventh [flat ninth] chord The dominant seventh [flat ninth, sharp fifth] chord The dominant seventh [sharp ninth, sharp fifth] chord The dominant seventh [flat ninth, flat fifth] chord Let’s […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23,25,26,28,48],"tags":[67,69,140],"class_list":["post-1026","post","type-post","status-publish","format-standard","hentry","category-blog","category-chords-and-progressions","category-experienced-players","category-videos","category-theory","tag-advanced-chord-voicings","tag-advanced-voicings","tag-passing-chords"],"yoast_head":"\n
Who Else Is Interested In Learning Passing Chords To Minor Chords? - Gospel Music Training Center<\/title>\n<meta name=\"description\" content=\"If you're interested in learning how to connect minor chords using passing chords, then this lesson is for you.\" \/>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"Who Else Is Interested In Learning Passing Chords To Minor Chords? - Gospel Music Training Center\" \/>\n<meta name=\"twitter:description\" content=\"If you're interested in learning how to connect minor chords using passing chords, then this lesson is for you.\" \/>\n<meta name=\"twitter:image\" content=\"http:\/\/www.hearandplaymusic.com\/dynamic_image\/pianokeys.php?notes=,,C,E,G,Bb,Db,&color=9966FF&size=2\" \/>\n<meta name=\"twitter:creator\" content=\"@realhearandplay\" \/>\n<meta name=\"twitter:site\" content=\"@realhearandplay\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Chuku Onyemachi\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/gospelhap.wpenginepowered.com\\\/else-interested-learning-passing-chords-minor-chords\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/gospelhap.wpenginepowered.com\\\/else-interested-learning-passing-chords-minor-chords\\\/\"},\"author\":{\"name\":\"Chuku Onyemachi\",\"@id\":\"https:\\\/\\\/gospelhap.wpenginepowered.com\\\/#\\\/schema\\\/person\\\/f7254a1ec032bd45c016d913a3164efc\"},\"headline\":\"Who Else Is Interested In Learning Passing Chords To Minor Chords?\",\"datePublished\":\"2017-06-29T08:00:00+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/gospelhap.wpenginepowered.com\\\/else-interested-learning-passing-chords-minor-chords\\\/\"},\"wordCount\":1269,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/gospelhap.wpenginepowered.com\\\/else-interested-learning-passing-chords-minor-chords\\\/#primaryimage\"},\"thumbnailUrl\":\"http:\\\/\\\/www.hearandplaymusic.com\\\/dynamic_image\\\/pianokeys.php?notes=,,C,E,G,Bb,Db,&color=9966FF&size=2\",\"keywords\":[\"advanced chord voicings\",\"advanced voicings\",\"passing chords\"],\"articleSection\":[\"Blog\",\"Chords and Progressions\",\"Experienced Players\",\"Free Videos\",\"Theory\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/gospelhap.wpenginepowered.com\\\/else-interested-learning-passing-chords-minor-chords\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/gospelhap.wpenginepowered.com\\\/else-interested-learning-passing-chords-minor-chords\\\/\",\"url\":\"https:\\\/\\\/gospelhap.wpenginepowered.com\\\/else-interested-learning-passing-chords-minor-chords\\\/\",\"name\":\"Who Else Is Interested In Learning Passing Chords To Minor Chords? 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\n
\n…can be used as a passing chord to a minor chord that’s a fifth below its root. A fifth below G#:
\n
\n…is C#:
\n
\nConsequently, the G# dominant seventh [flat ninth, flat fifth] chord:
\n
\n…resolves to any C# minor chord, which may include any of the following:<\/p>\n
\n
\nC# minor seventh:
\n
\nC# minor ninth:
\n
\nFollowing the same procedure, any dominant seventh [flat ninth, flat fifth] chord can be applied.<\/p>\n","protected":false},"excerpt":{"rendered":"