{"id":1014,"date":"2017-06-22T00:00:00","date_gmt":"2017-06-22T08:00:00","guid":{"rendered":"http:\/\/gospel.hearandplay.com\/main\/?p=1014"},"modified":"2017-06-22T00:00:00","modified_gmt":"2017-06-22T08:00:00","slug":"exposed-applications-major-seventh-chord-gospel-music","status":"publish","type":"post","link":"https:\/\/gospelhap.wpenginepowered.com\/exposed-applications-major-seventh-chord-gospel-music\/","title":{"rendered":"Exposed: Application Of The Major Seventh Chord In Gospel Music Harmony"},"content":{"rendered":"

Today, we will be looking at the application of the major seventh chord in gospel music harmony.<\/p>\n

A vast majority of musicians have learned and can play the major seventh chord, however, only a few have a clear understanding of the diverse applications of the major seventh chord.<\/p>\n

So many top players use the major seventh chord in the formation of other chord types and I’ll be showing you, step-by-step, how this is done.<\/p>\n

Let’s get started by refreshing our minds on the major seventh chord.<\/p>\n

A Quick Review On The Major Seventh Chord<\/h2>\n

For the sake of those who are not familiar with the major seventh chord, let’s start by answering the question: what is a major seventh chord?<\/p>\n

“What Is A Major Seventh Chord?”<\/em><\/h3>\n

The major seventh chord is a chord of the first tone in the major key, encompassing a seventh and consisting of the first, third, fifth, and seventh tones of the scale.<\/p>\n

In the key of C major:
\n
\n…the major seventh chord can be formed on the first tone (which is C):
\n
\n…encompassing a seventh (from C to B):
\n
\n…and consisting of the first, third, fifth, and seventh tones of the C major scale (which are C, E, G, and B):
\n
\n“Check Out All The Major Seventh Chords On The Keyboard…”<\/em>
\n

\n
<\/div>\n
<\/div>\nC major seventh chord:
\n
\nDb major seventh chord:
\n
\nD major seventh chord:
\n
\nEb major seventh chord:
\n
\nE major seventh chord:
\n
\nF major seventh chord:
\n
\nGb major seventh chord:
\n
\nG major seventh chord:
\n
\nAb major seventh chord:
\n
\nA major seventh chord:
\n
\nBb major seventh chord:
\n
\nB major seventh chord:
\n
\n<\/div>\n <\/div>\nAlright! Considering that we’ve refreshed our minds on the seventh chord, let’s go into its application in harmony.<\/p>\n

Here Are Different Ways To Apply The Major Seventh Chord<\/h2>\n

#1. The Application Of The Major Seventh Chord In The Formation Of Chord 1<\/h3>\n

The major seventh chord can be applied in the formation of the chord of the first degree. It’s as simple as forming a major seventh chord on the first tone of the scale.<\/p>\n

In the key of Ab major:
\n
\n…the major seventh chord can be formed on the first tone (which is Ab):
\n
\n…consequently, the Ab major seventh chord:
\n
\n…which is chord 1 in the key of Ab major.<\/p>\n

#2. The Application Of The Major Seventh Chord In The Formation Of Chord 2<\/h3>\n

The major seventh chord can be applied in the formation of chord 2: the chord of the second tone of the scale.<\/p>\n

The major seventh that corresponds with the root of the second tone is always three half-steps above the second tone of the scale.<\/p>\n

In the key of Ab major:
\n
\n…the second tone is Bb:
\n
\nThe corresponding major seventh chord is three half-steps above Bb:
\n
\n“Quickly…”<\/em><\/p>\n

What tone is three half-steps above Bb?<\/p>\n

Answer: Db<\/p>\n

Bb to B:
\n
\n…first half-step.<\/p>\n

B to C:
\n
\n…second half-step.<\/p>\n

C to Db:
\n
\n…third half-step.<\/p>\n

“Alright!”<\/em><\/p>\n

So the corresponding major seventh chord (which is the Db major seventh chord):
\n
\n…played over the second tone of the scale (which is Bb):
\n
\n…produces chord 2 (the Bb minor ninth chord):
\n
\nFollowing the same procedure, chord 2 can be formed in any degree of the scale.<\/p>\n

#3. The Application Of The Major Seventh Chord In The Formation Of Chord 3<\/h3>\n

The chord of the third degree (aka – “chord 3”) can also be formed using the major seventh chord.<\/p>\n

Just like the formation of chord 2, the major seventh that corresponds with the root of the second tone is always three half-steps above the third tone of the scale.<\/p>\n

In the key of Ab major:
\n
\n…the third tone is C:
\n
\nThe corresponding major seventh chord is three half-steps above C:
\n
\n“Quickly…”<\/em><\/p>\n

Three half-steps above C:
\n
\n…is Eb:
\n
\nC to Db:
\n
\n…first half-step.<\/p>\n

Db to D:
\n
\n…second half-step.<\/p>\n

D to Eb:
\n
\n…third half-step.<\/p>\n

“Alright!”<\/em><\/p>\n

So the corresponding major seventh chord (which is the Eb major seventh chord):
\n
\n…played over the third tone of the scale (which is C):
\n
\n…produces chord 3 (the C minor ninth chord):
\n
\nFollowing the same procedure, chord 2 can be formed in any degree of the scale.<\/p>\n

#4. The Application Of The Major Seventh Chord In The Formation Of Chord 4<\/h3>\n

The chord of the fourth degree can also be formed using the major seventh chord. It’s not difficult. All you need to do is to form a major seventh chord on the fourth tone of the scale.<\/p>\n

In the key of Ab major:
\n
\n…the major seventh chord can be formed on the fourth tone (which is Db):
\n
\n…consequently, the Db major seventh chord:
\n
\n…which is chord 4 in the key of Ab major.<\/p>\n

#5. The Application Of The Major Seventh Chord In The Formation Of Chord 5<\/h3>\n

In the formation of the chord of the fifth degree of the scale (aka – “chord 5”) the major seventh chord can be applied.<\/p>\n

The corresponding major seventh chord is always a whole step below the fifth tone of the scale.<\/p>\n

In the key of Ab major:
\n
\n…where the fifth tone is Eb:
\n
\n…the corresponding major seventh chord is a whole-step below Eb:
\n
\n…and that’s Db:
\n
\nPlaying the corresponding major seventh chord (which is the Db major seventh chord):
\n
\n…over the fifth tone of the scale (which is Eb):
\n
\n…produces the chord of the fifth degree (which is the Eb dominant thirteenth [suspended fourth] chord):
\n
\nChord 5 can be formed in any key as well, following the procedure.<\/p>\n

#6. The Application Of The Major Seventh Chord In The Formation Of Chord 6<\/h3>\n

The major seventh chord can be applied in the formation of chord 6: the chord of the sixth tone of the scale.<\/p>\n

The major seventh that corresponds with the root of the sixth tone is always three half-steps above the sixth tone of the scale.<\/p>\n

In the key of Ab major:
\n
\n…the sixth tone is F:
\n
\nThe corresponding major seventh chord is three half-steps above F:
\n
\n“Quickly…”<\/em><\/p>\n

What tone is three half-steps above F?<\/p>\n

Answer: Ab<\/p>\n

F to Gb:
\n
\n…first half-step.<\/p>\n

Gb to G:
\n
\n…second half-step.<\/p>\n

G to Ab:
\n
\n…third half-step.<\/p>\n

“Alright!”<\/em><\/p>\n

So, the corresponding major seventh chord (which is the Ab major seventh chord):
\n
\n…played over the sixth tone of the scale (which is F):
\n
\n…produces chord 6 (the F minor ninth chord):
\n
\nFollowing the same procedure, chord 6 can be formed in any degree of the scale.<\/p>\n

Final Words<\/h2>\n

Those are different ways the major seventh chord can be explored. Try as masteron online<\/a> much as possible to practicalize<\/em> these in all the twelve major keys on the keyboard.<\/p>\n

Most top players apply these seventh chords using the left hand especially while in a band situation, playing with a bass player, and that frees up the right hand to play upper structure chords, runs, and licks.<\/p>\n

See you in the next lesson!<\/p>\n","protected":false},"excerpt":{"rendered":"

Today, we will be looking at the application of the major seventh chord in gospel music harmony. A vast majority of musicians have learned and can play the major seventh chord, however, only a few have a clear understanding of the diverse applications of the major seventh chord. 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